Showing posts with label Autumn 2014. Show all posts
Showing posts with label Autumn 2014. Show all posts

Wednesday, March 15, 2017

Kaku Kento & Eikura Nana expecting their first child to be born this summer

Eikura Nana is currently pregnant with her first child as reported on 14 March. According to insiders, Eikura who is married to actor Kaku Kento, is said to be more than 5 months' pregnant and due to give birth in summer this year.

Rumours of Eikura's pregnancy have been swirling around since January as it was noticed that she was wearing baggy clothing and large coats most of the time in the ongoing NTV Winter 2017 drama "Tokyo Tarareba Musume". When she appeared on NTV's information programme "ZIP!" on 18 January to promote the drama, she suddenly starting coughing and left her seat but never returned even till the end of the segment thus causing concern and speculation about her condition. According to insiders, some staff members of the drama already knew of her pregnancy back in December last year thus they had planned the filming accordingly to accommodate her condition. Filming of the drama is expected to end on 18 March but Eikura is said to be continuing with her other work activities and will begin her maternity break slightly later.

Kaku and Eikura met on the set of TBS Autumn 2014 drama "N no Tame Ni" and began dating since the summer of the following year before they got married last August.

Sources: Nikkansports / Sanspo / Yomiuri Hochi / Sponichi

Monday, August 08, 2016

Kaku Kento & Eikura Nana announce their marriage

Kaku Kento and Eikura Nana announced their marriage through their respective agencies on 8 August. There are no plans yet for a wedding and Eikura is not pregnant at the moment so she will continue with her acting career as usual. The couple met while working in the TBS drama "N no tame ni" in 2014 and started dating last summer. The two of them went to a ward office yesterday to submit their marriage application. Kaku commented that he believes that he will lead a bright and happy life with his wife while Eikura commented that she believes that her husband will be the one to overcome all challenges ahead in life and said that she is very happy now.

Kaku's statement:
I, Kaku Kento, have gotten married to Eikura Nana.

We met through the drama "N no tame ni" and have dated for about one year. With the thought of being able to spend a bright and happy life with her, we got married.

Although we are still immature, we hope to continue improving in our work with the advice and assistance of everyone we work with. It would be great if we can continue to receive the warm support of everyone going forward.

Eikura's statement:
I, Eikura Nana, have registered my marriage to Kaku Kento on 7 August and would like to announce it here.

We met during the filming of the drama "N no tame ni" and started dating last summer. After a year of spending time together, we started to have the intention of becoming a family thus leading to our marriage registration.

I feel happy that from now on, no matter whatever happens in future, we can overcome it together.

Thank you to everyone who has supported us to us. Although we are still immature, we will try to improve in future. It would be great if you can continue to support us warmly.

Source: Oricon

Friday, March 04, 2016

Eikura Nana & Kaku Kento rumoured to be dating

Eikura Nana and Kaku Kento are said to be dating as reported on 2 March. The two of them met while working on the TBS Autumn 2014 drama "N no tame ni" and started off as friends but started dating since last spring. They were also said to have gone overseas for a trip with other friends during Eikura's birthday on 12 February.

Rumours of Eikura and Kaku being spotted together started surfacing on the Internet since last summer when they were said to have gone on dates to Universal Studios Japan and restaurants in places such as Shimo Kitazawa and Naka Meguro.

When asked about the dating rumour, both actors' agencies denied that they were an item and that they are just good friends.

Source: Yomiuri Hochi / Oricon

Sunday, April 12, 2015

Review of "Kyouwa Kaisha Yasumimasu" (Autumn 2014)

To be perfectly honest, I wasn't keen on this drama at all from the start. Firstly, there is a lack of novelty in seeing a single woman finding love for the first time and what's more with a younger man (again!). As such, the first reaction I had when I heard about this drama was, "is this a repeat of "Last Cinderella"? Even though I like Shinohara Ryoko, I detested her character in that drama and just couldn't bring myself to write a review for it in the end because I found that I had no kind words for it at all. Secondly, the "younger guy" in this equation i.e. Fukushi Sota isn't really my cup of tea (well, most of the younger actors are also in this category, save for a few like Matsuyama Kenichi) so there was really not much excitement about the idea of seeing him romancing Ayase Haruka. Last but not least, feedback about the first episode wasn't exactly favourable especially from fans of the original manga so it had affected my willingness to get started with this even though I had not read the manga before.

However, as it turned out unexpectedly, I was suddenly in the mood for something light which didn't require much thinking and decided to watch this to pass time. True enough, the first episode was a huge disappointment. There were many developments which reminded me of other dramas and the chemistry between Ayase and Fukushi was seriously lacking. To give them some credit, it was just the first episode so it was a bit too early to pass judgement. It was obvious that Ayase was trying to lead her younger co-star but the results were like seeing a lopsided table tennis match with one side clearly being outmatched. On the other hand, there was a hint that something more exciting was brewing between Ayase's and Tamaki Hiroshi's characters but there wasn't a lot of airtime showcasing that in the pilot episode so I carried on watching the drama in the hope for better things to come from this pair.

Before I share my views, here's a summary of the storyline. Aoishi Hanae (Ayase Haruka) is a 29-year-old woman who works at a foodstuff company. She is a conscientious worker who is trusted by her colleagues and superior. However, Hanae is clueless about love and wonders if she will ever get married especially after seeing her buddy Ichika (Hiraiwa Kami) being married with two kids and getting anxious about hitting the Big Three soon.

On Hanae's 30th birthday, nobody in the office knows about it and she seems destined to spend it in the same way as per previous years i.e. with her parents at home. However, during a company dinner, Tanokura Yuto (Fukushi Sota) happens to hear about Hanae's birthday and celebrates it for her. Out of impulse, Hanae asks Tanokura to spend the rest of the night with her and they eventually end up sleeping together in a hotel. However, when morning comes, Hanae is at a loss as to how she should react and leaves the hotel without telling Tanokura. Unable to face him in the office, Hanae even takes a day off from work for the first time by pretending to be sick as she tries to come to terms with what she had done.

Despite Hanae's efforts in trying to pretend that nothing has changed between her and Tanokura, things do not go as expected. When Tanokura presses Hanae to stop running away from him and be his girlfriend, she gets the shock of her life and delays giving him a definite answer. On the other hand, Hanae meets Asao Yu (Tamaki Hiroshi), the CEO of an Italian foodstuff company, who watches with interest what's happening between Hanae and Tanokura. However, he advises Hanae to take a reality check and not get too carried away about Tanokura. Although Hanae tries to convince herself that Tanokura is not serious about her, she finds herself being increasingly drawn to him and they eventually start dating. Things are not rosy all the time as Hanae lacks confidence in herself and the age gap between them causes various issues. At the same time, Hanae has to deal with unwanted attention from Asao who keeps trying to convince her that he is a better match for her and Tanokura is not the ideal partner she is seeking.

From this point onwards, there will be spoilers so if you do not wish to know about the storyline and ending, you may wish to skip this review.

Right from the start, I got riled up over Hanae's way of handling the situation after the one-night-stand with Tanokura. She knew exactly what she was getting herself into when she asked Tanokura to spend the night with her. Although there were scenes of them playing games at the amusement centre or going for a ferry ride prior to the "main event", I'm sure both parties knew what was going to happen at the end when she made the request for him to stay with her. As such, her behaviour in the morning-after seems a bit too exaggerated especially when you compare it to what Shinohara Ryoko's character in "Last Cinderella" who was in a drunken state and did not knowingly ask to sleep with the younger stranger. On the other hand, Hanae knew for sure who she was going to spend her night with. As such, that kind of response seems to be overly exaggerated as if to emphasize how clueless Hanae is about relationships or dealings with the opposite sex. However, being inexperienced doesn't mean that she will be stupid or has no mind of her own. As such, her knee-jerk behaviour just seems not too realistic.

Secondly, Tanokura's feelings for Hanae didn't seem that convincing to me after all. I know that the night they spent together was the catalyst in bringing them together but still, we had little information about how they interacted prior to that and it was not that obvious if he had thought of Hanae in the romantic sense. It seemed from the story that they were just colleagues and nothing more between them had transpired. As such, it felt a bit forced and rushed that all of a sudden, he had the hots for Hanae to the extent of pressing her to date him which resulted in that "kabe-don" that made Fukushi Souta so popular last autumn. Throughout the course of their relationship development, it was obvious how much Hanae loved Tanokura but I can't see it the other way. It could also be that Fukushi's acting is not quite up to that level yet to show the subtle side of Tanokura's affection for Hanae so everything just felt too superficial as if Fukushi was just going through the motions with no feelings. Or it could be that the script didn't give us enough insight into Tanokura's feelings and showed a very lopsided view of Hanae's side of the story so Tanokura's character felt flat and not so engaging.

Although it was obvious from Day 1 that Hanae and Asao were not going to end up together no matter how the scriptwriter tried to trick you to believe otherwise, I thought their relationship was one of the better things about this drama. Although Hanae thinks of Asao as someone who's always at loggerheads with her, the unmistakable thing about them is that they are a good match in terms of characters. As such, it was fun to see them engaging in the "arguments" where Asao kept poking fun of Hanae or delivering his sharp observations about Hanae's relationship with Tanokura which wasn't music to her ears in a matter of fact manner. On the other hand, it was obvious how they could be at ease with each other especially when you consider how hard Hanae tried to behave in a certain way so that she could be "liked" by Tanokura.

This brings us to the question of whether you would prefer to be with someone who gives you that fluffy-type of being in love i.e. "doki-doki" and keeps you on your toes all the time or someone who allows you to be yourself and the relationship is comparatively less eventful than the former. It seems like the drama is trying to portray Hanae and Tanokura as the former category while Hanae and Asao are in the latter so as to show both sides of the spectrum. Of course, there are no right and wrong answers to this because it really depends on the individual and the person they love. However, I do prefer the interaction between Hanae and Asao because I don't necessarily think that being with a comfortable soulmate is less ideal than with a passionate lover. Maybe it has to do with age, if I was in my teens or early twenties, the doki-doki feeling might have been more important. As you grow older, finding that someone who you can communicate with is probably much harder than finding someone you can fall in love with. And I certainly don't fancy having to engage in so much guesswork just to project a perfect image in front of my partner!

The ending of the drama also left much to be desired because it took such a drastic turn for the worst. Just as it seemed like Hanae was going to live her life independently and move on to other things rather than harp on Tanokura who was going away for further studies, I just didn't understand why Hanae had to be encouraged to look for Tanokura and pledge that she will wait for him. Duh! I mean, if it had been that there was no firm promise between them and yet they still ended up together, it would have been more palatable. However, in this time and age, such a promise rings hollow even in dramaland. I would have wanted them to both venture out and do the things they wanted and come together again rather than the "forced" expectation that they would be together at the end. Sometimes, things are better left unsaid so it feels a bit like the scriptwriter expected you to accept this ending which felt literally like it was shoved into your face.

On the acting side of things, Fukushi got a lot of attention for his role as Tanokura especially due to that kabe-don scene. However, I must also highlight that due to his lack of experience, he was also the weakest link in the cast. Of course, all actors start off as being greenhorns and need time to sharpen their skills. Besides, to his credit, Tanokura is a rather one-dimensional character because we hardly saw any airtime devoted to how he truly felt about Hanae so there was no way he could show the viewers if he could manage scenes which required subtle displays of emotions. We saw his actions but there was a missing link between what he did and why he did them. As such, I couldn't really understand why certain things happened and I was never convinced about how he felt about Hanae. Working with Ayase was also somewhat a double-edged sword for him because she was clearly more experienced than him and it was obvious on screen that she was trying to lead him which did help him to get better towards the end but the difference in their tempo and a lack of chemistry showed Fukushi's weakness as a newbie actor. To make things worse, when Ayase and Tamaki displayed such impeccable teamwork between them after working together several times, the lack of it between her and Fukushi was even harder to ignore.

As for Ayase, I think what's outstanding about her performance this time is how she blended herself into the role and made it look like she was Hanae and not Ayase Haruka. I liked some of the episodes when Hanae was troubled over her relationship progression with Tanokura and how she struggled to find answers within herself on the next course of action. No doubt a lot of these scenes were monologues only, her expressions and body language fitted the content and it felt like she was totally immersed in the role as Hanae without trying too hard. This made it even more enjoyable to watch her as a character rather than an actress trying to play a character. In addition, she did show a new level of maturity this time by taking the lead and trying to get Fukushi up to speed as the drama progressed. Most, if not all of Ayase's works in the past tend to feature her with co-stars who are older or about the same age as her. As such, given that Fukushi lacks experience, I thought she did pretty well in leading her younger co-star so that he did not appear totally outmatched by her throughout the entire drama. No doubt it took some time for Fukushi to ease into the situation, I thought Ayase's mentoring did help him to a certain extent and showed that she has enough experience now to be able to help her juniors.

The co-stars were also great in their own ways. Tamaki's role as Asao may not have a lot of airtime but he made an impact (by that, I don't mean his suave image as a CEO in this story) by his words which sound a lot like sarcasm but is actually the truth which is jarring to the ears. He served as a good wake-up call for Hanae to pull her back into reality and keep her grounded when she was getting too hung up or ditzy over her whirlwind romance with Tanokura. Sounds like a good friend who may speak harshly but has nothing but the truth for your ears? On the other hand, the banter between the two of them provided such timely humour in this sometimes overly sweet romance story. I cringed a lot when I saw Tanokura and Hanae being lovey-dovey on screen but I was enjoying the "quarelling" between Hanae and Asao and wished it would last longer. Likewise in Tamaki's case, he seemed to be having a good time as Asao rather than making an obvious effort to play Asao so the seamless integration of him into the role also made it more enjoyable to watch him in this drama.

Naka Riisa shows a new sense of maturity after she returns to work as a wife and mother. In the past, her roles tend to be either of the weirdo-type or people with very unique character traits Surprisingly, she fits very well into this seemingly-ordinary OL character of Hitomi who's looking for a rich guy with good terms to marry. On one hand, her quirkiness and chirpy nature shows in her portrayal of Hitomi's slightly extreme demands for a marriage partner and how aggressive she gets in trying to snag Asao but there is a tinge of steadiness seen in her acting now that makes her more believable as an OL. As such, I think that in Naka's case, marriage and motherhood probably brought about some new perspectives in her life thus changing her way of acting in a good way. It will be fun to see how she progresses in future as she takes more a wider variety of roles.

In Chiba Yudai's case, this is the first time I'm seeing him in a drama and I liked how he nailed the role of Kagami. In the beginning, viewers only saw how Kagami behaved like he was entitled to anything and didn't seem to put in any effort at work but demanded a lot. It felt like he was a real jerk in the workplace who only wanted to do the bare minimum. However, as the story progressed, the true nature of Kagami was shown and his steadfast affection for Hitomi was done in such a cute manner that I'm sure that many people would have changed their impressions of him by then. Nonetheless, given his babyface looks, Chiba has an uphill task if he wants to take on more serious and mature roles. As for Taguchi Junnosuke, I've only remembered watching him in "Ganbatte Ikimasshoi" (when he took over mid-season from Uchi Hiroki) and Legal High but frankly speaking, they weren't especially memorable performances. This time round, he plays a very comical Oshiro who is so noisy and gossipy that it got on people's nerves at times but left an impression on me. It might have been better though if the twist in the ending didn't happen (hinting that he held a torch for Hanae all this while) because I thought that left a bad aftertaste.

Last but not least, Hanae's parents played by Asano Kazuyuki and Takahata Atsuko were such a joy to watch as parents who cared a lot but pretended to be nonchalant so as not to put pressure on their daughter. It was easy to see and understand where they were coming from especially as seen from the scene when the father got rather worked up upon hearing that Tanokura was much younger than Hanae and still in university. It is natural for parents to have certain expectations of their children's partners but even in Hanae's case, the parents who would have been quite happy just to see her dating, were taken aback by the huge disparity between the couple. I certainly didn't feel like the parents were being overly concerned or reacted too violently and I'm glad that the scriptwriter didn't try to make this drama become an unrealistic fairy tale by making Hanae's parents so welcoming of Tanokura without expressing their valid concerns about the relationship.

To sum things up, I think this drama had a lot of flaws especially in its story. It could have been that because the source material is a shoujo manga targeted at a younger audience that it fails to resonate with someone like me who's about the same age as Hanae. Or it could have been due to the fact that the manga is still ongoing so the ending may not have what the author had in mind. Anyway, despite all my grouses about how much I hated Hanae's relationship with Tanokura, the acting from the cast made it more palatable. However, be warned that you need a lot of patience to sit through the fluffy romance especially around the episode 5 mark which seems to be the turning point for most people as to whether to continue watching the rest of the drama. Frankly speaking, if you can't stomach another older-woman-younger-man love story which doesn't offer any new perspective on this issue, it is best to steer clear of this drama. Even if you are a fan of the leads and are in this for the eye candy, it's still best to be prepared in case you get really frustrated with the story.

And my ratings for this drama...

Story: 2 out of 10 (I would have given lower marks if not for the side story of Hanae and Asao. I hated the ending for being too hard-sell on the concept of "happily-ever-after" and the romance is too sweet for me.)

Acting: 7.5 out of 10 (Generally good acting from the cast but Fukushi needs to brush up his skills because the kabe-don effect wouldn't sustain his popularity forever)

Theme song/BGM: 7.5 out of 10 (A pretty light-hearted number from Makihara Noriyuki written especially for the drama and is a good description of Hanae's inner world)

Visual effects / Scenery: 8 out 10 (Yokohama is simply gorgeous and I can attest to that because I've been to most of the places featured in the drama. It's really a beautiful city and I can see why it's said to be a romantic city for lovers. The Minato Mirai area is definitely worth checking out if you are there but if you are going alone like what I did, be prepared to face the hordes of couples surrounding you. ^__^)

Teamwork / Chemistry: 6 out of 10 (This is mainly for Ayase and Tamaki but I had to deduct a few marks because of the lack of it between Ayase and Fukushi)

Total: 31 out of 50

Wednesday, February 18, 2015

The 83rd Drama Academy Awards (Autumn 2014)

Best Drama
1) N no Tame Ni
2) Kyouwa Kaisha Yasumimasu
3) Gomen ne Seishun!

Best Leading Actor
1) Okada Junichi (Gunshi Kanbee)
2) Oguri Shun (Nobunaga Concerto)
3) Nishikido Ryo (Gomen ne Seishun!)

Best Leading Actress
1) Ayase Haruka (Kyouwa Kaisha Yasumimasu)
2) Eikura Nana (N no Tame Ni)
3) Yonekura Ryoko (Doctor X)

Best Supporting Actor
1) Kubota Masataka (N no Tame Ni)
2) Fukushi Sota (Kyouwa Kaisha Yasumimasu)
3) Takenaka Naoto (Gunshi Kanbee)

Best Supporting Actress
1) Mitsushima Hikari (Gomen ne Seishun!)
2) Shibasaki Kou (Nobunaga Concerto)
3) Kimura Yoshino (First Class)

Best Theme Song
1) Silly - Ieiri Leo (N no Tame Ni)
2) Ashiato ~ Be Strong - Mr.Children (Nobunaga Concerto)
3) Itta Janai ka - Kanjani 8 (Gomen ne Seishun!)

Best Script: Kudo Kankuro (Gomen ne Seishun!)

Best Directing: N no Tame Ni

The Television Special Award: Baka Rhythm (Suteki na Sentakushi)

Friday, January 02, 2015

Top 10 bestselling novels of 2014 (Oricon)

Note that figures in brackets indicate the number of copies sold between 2 December 2013 and 24 November 2014. Titles in bold indicate those which were made into movies or dramas thus reflecting the positive impact on book sales brought about by such adaptations:

1) Eien no Zero - Hyakuta Naoki (1,463,702)

2) Shirayuki Hime Satsujin Jiken - Minato Kanae (856,332)

3) Koufuku na Seikatsu - Hyakuta Naoki (800,847)

4) Masquerade Hotel - Higashino Keigo (796,346)

5) Shitamachi Rocket - Ikeido Jun (772,114)

6) Kaizoku to Yobareta Otoko Part 1 - Hyakuta Naoki (718,870)

7) Masquerade Eve - Higashino Keigo (716,928)

8) Shippu Rondo - Higashino Keigo (664,640)

9) N no tame ni - Minato Kanae (634,737)

10) Kaizoku to Yobareta Otoko Part 2 - Hyakuta Naoki (631,732)

Source: Oricon

Sunday, December 07, 2014

Romaji lyrics of "Fall" by Makihara Noriyuki (Theme song of "Kyouwa Kaisha Yasumimasu")

Title: Fall
Artiste: Makihara Noriyuki
Lyrics & Melody: Makihara Noriyuki

itsu demo kimatta koto wo
hitori de tantan to konasu
hito ga karamanai bun dake
mondai mo okoranai kedo
kinou to kyou ga shirazu ni
ire kawatteta toshitemo
kizukenai you na hibi wo
rekishi to yobezu nayandeta

sonna toki kimi ga arawarete
kocchi e oide to te wo nobasu
sono te ni isshun fureta dakede
sekai ga chigatte mieta

hontou wa konna taimingu
matteta no kamo shirenai
mita koto mo nai sekai e
dare ka to ochiru sono toki wo
koi no hitotsu mo shiranai de
issho wo owaru nante iyada!
kokoro no sakebu koe ni mimi wo
fusagu te wo dokereba
IT'S TIME TO FALL!

kizutsuketari kizutsuitari
gaman shitari kojiretari
hito ga karameba mondai mo
okottari mo suru keredo

dare ka to iru koto deshika
mienai mono ga aru nara
sono aite wa kimi shika inai
nigitta te wo hanasanai

hontou wa konna taimingu
matteta no kamo shirenai
mita koto mo nai sekai e
dare ka to ochiru sono toki wo
mada nemuru kao wo minagara
kaisha ni ireta hajimete no
zuru yasumi no denwa kara
kimi to ochite iku
IT'S TIME TO FALL!

zaiakukan nomi komu hodo no
setsunasa de tsuita uso ga
zettai kawaranai to omotteta
kono jibun wo kaete iku

hontou wa konna taimingu
matteta no kamo shirenai
mita koto mo nai sekai e
dare ka to ochiru sono toki wo
koi mo shirazu owaru nante
iyada! iyada! iyada! iyada!
kokoro no sakebu koe ni mimi wo
fusagu te wo dokereba
3.2.1 FALL!

Friday, December 05, 2014

Romaji lyrics of "Silly" by Ieiri Leo (Theme Song of "N no tame ni")

Title: Silly
Artiste: Ieiri Leo
Lyrics: Ieiri Leo
Melody: Nishio Yoshihiko

muzukashii koto ga oosugiru ai
kyou mo kawarazu furi tsuzuiteiru ame ga
toiki no sukima de namae wo yobare
aenai hi no kodoku kaki kesarerunda
Rainy day oh Rainy day
kishimu hadou ni nomarete

Oh It's so silly
nani ka wo motome tashikame takute kyou wo ikiteru
Oh It's so silly
damaseru no nara genjitsu nante hitsuyo janai
nogarerarenai kanashimi ni Oh It's so silly

tsuyogari kakushita namida no ato ni
kizukanai soburi hada wo kasaneru yoru wa
asai nemuri kuri kaeshi nagara mo
tonari no omomi wo tashikamete irunda
Rainy day oh Rainy day
otona ni narikire nakute

Oh It's so silly
sukui wo motome mitasaretakute kyou wo ikiteru
Oh It's so silly
yurusareru nara kono ai dake wo dakishimetai
nogarerarenai itami demo Oh It's so silly

imi no nai nani mo nai ashita wa
mitenai wakaranai furi de
nigedashiteru So Silly
furueru tsumi no nai sore wo ushinaeba ii
yugamu kimochi wa anata ga hoshii

Oh It's so silly
nani ka wo motome tashikame takute kyou wo ikiteru
Oh It's so silly
damaseru no nara genjitsu nante hitsuyo janai
nogarerarenai kanashimi ni
kizu mo ima dewa itoshikute
Oh It's so silly

Thursday, December 04, 2014

Preview of "Sayonara Watashi" (NHK)

Title: Sayonara Watashi さよなら私 (Goodbye to me)
Official website: here
O.A. Start Date: 14 Oct 2014
Timeslot: Tuesdays 10pm
Total number of episodes: 9
Broadcast by: NHK
Theme Song: Onaji Samishisa by Hirai Ken
Cast: Nagasaku Hiromi, Ishida Yuriko, Fujiki Naohito, Sato Hitomi, Tanimura Mitsuki, Lily, Omi Toshinori

Saturday, November 29, 2014

Completion press conference of WOWOW drama "Akka"

The completion press conference of new WOWOW drama "Akka" was held on 18 November which was attended by the leads Oikawa Mitsuhiro and Kuroki Meisa. The drama begins its run from 23 November at 10pm on Sundays. When interviewed by the media if there were any episodes on set which made her nervous on set, Kuroki said that there was a scene where Oikawa had to carry her and she was worried that he might find her too heavy but he ended raising her with ease. On the other hand, Oikawa cited the kissing scene which made him quite embarrassed and nervous.

Source: Sponichi

Saturday, November 08, 2014

Completion press conference of new WOWOW drama "Heisei Sarukani Gassenzu"

The completion press conference of new WOWOW drama "Heisei Sarukani Gassenzu" was held on 5 November which was attended by the cast Suzuki Kyoka and Koura Kengo, the director Yukisada Isao and singer Shionoya Sayaka who is singing the theme song "Soredemo Sekai wa Utsukushii" (Even so, the world is still beautiful). The drama which will begin its run from 15 December at 10pm on Saturdays, features Koura as a bartender who unwittingly ends up being a candidate running for office in The House of Representatives after he meets a manager for a cellist (Suzuki). Even though this is the first time that Suzuki and Koura have worked together, Suzuki was full of praise for her co-star and even promised to support him if he does stand for election one day. Koura also complimented his co-star for being an elegant and classy person and asked her to be his secretary if he does take part in an election in future.

Source: Sanspo

"Gomen ne Seishun!" stirs up controversy over the use of Horikoshi Senior High School's name

TBS Autumn 2014 drama "Gomen ne Seishun!" has stirred up controversy over the use of a real school's name i.e. Horikoshi Senior High School in its third episode which has led to the TV station apologising to the school for its blunder and promising to exercise more caution in future. The episode in question was about how students of the lead character played by Nishikido Ryo had asked his sister-in-law (Nakamura Shizuka) who was a former gravure idol to help them in their studies but she rejected them for the reason that she came from Horikoshi i.e. implying that students of that school were not clever or good at their studies.

Source: Sponichi

In case you are not aware, Horikoshi has a special programme called TRAIT for celebrities and sports athletes who have problems attending school for the whole day thus they have a significantly higher proportion of celebrities among its alumni. As such, since the time spent on studies is lesser than their peers, this could be why the drama's scriptwriter had chosen to use Horikoshi as an example to imply that celebrities who came from Horikoshi were not so smart or good in their studies which isn't entirely true since there are some of them who did move on to university and got their degrees. On the other hand, there are many celebrities who choose not to pursue university studies for the sake of their work or other reasons so it's not really fair to say that these people aren't good in studies just because they didn't go to university or didn't finish their university studies in the end.

Just to name some of the celebrities in their alumni here. The full list including those who did not complete their studies is here:

- Sanada Hiroyuki (graduated from Nihon University's College of Art - Movies)
- Kusanagi Tsuyoshi (was the first student from the TRAIT course to receive the Horikoshi Award given to Top 10 students for their excellence in studies and conduct and also received the Full Attendance Award for no absences and lateness over the three-year period) 
- Ichikawa Ebizo
- Inagaki Goro (SMAP)
- Matsuoka Masahiro (TOKIO)
- Domoto Tsuyoshi (KinKi Kids)
- Ikuta Toma
- Ichihara Hayato
- Okada Junichi (V6)
- Katsuji Ryo
- Koike Teppei
- Shirota Yu
- Matsuda Ryuhei
- Matsumoto Jun (Arashi)
- Yamashita Tomohisa (graduated from Meiji University's School of Commerce)
- Yagira Yuya
- Miura Haruma
- Kamiki Ryunosuke
- Yamada Ryosuke
- Sakai Noriko
- Tomosaka Rie
- Fukatsu Eri
- Matsu Takako
- Adachi Yumi
- Ayase Haruka
- Ueto Aya
- Kato Ai (graduated from Asia University's Faculty of International Relations)
- Suzuki An
- Toda Erika
- Nagasawa Masami
- Mizukawa Asami
- Fukada Kyoko
- Kutsuna Shiori
- Kawashima Umika
- Renbutsu Misako
- Fukuda Saki

Friday, November 07, 2014

Yuka & Miura Takahiro to star in NHK drama "Caroling ~ Christmas no Kiseki~"

Yuka and Miura Takahiro appeared at the press conference on 27 October for their new NHK drama "Caroling ~ Christmas no Kiseki ~" which consists of 8 episodes and will be shown from 4 November at 11.15pm on Tuesdays. The drama focuses on a group of people with emotional wounds and how they spend their weeks before Christmas. When asked about their memories of Christmas in the past, Yuka recounted that it was fun to see the people around her get excited over Christmas but she would always be working on that day so she didn't really share the same excitement. Likewise for Miura, he said that he doesn't like Christmas because he would be working while others were enjoying the occasion. However, he enjoyed Christmas much more when he was a kid because that was when he received presents from his family members.

Source: Sanspo / Sponichi

Friday, October 17, 2014

Production press conference of FujiTV Autumn 2014 drama "Subete ga F ni naru"

The production press conference of FujiTV Autumn 2014 drama "Subete ga F ni naru" was held on 17 October which was attended by cast members Takei Emi, Ayano Go, Ozawa Yukiyoshi, Totsugi Shigeyuki, Mizusawa Erena and Hayami Akari. The drama which will begin its run from 21 October at 9pm on Tuesdays, is based on a mystery novel by Mori Hiroshi and marks the second time which Takei and Ayano are working together since 2010's "GOLD".

Takei plays the role of an university student studying in the department of engineering who comes from a rich family while Ayano plays an assistant professor. The two of them work together to solve various mysteries. Although the atmosphere of the story is on the thrilling and tense side, the mood on the set is joyous. Ayano revealed that they recently had a fun fair where there was a Ayano shop set up to sell all sorts of things including snacks, shampoo and underwear. Takei complained jokingly that Ayano even took her photos to the shop to sell without telling her.

Source: Sponichi

Production press conference of TBS Autumn 2014 drama "Onna wa sore wo yurusanai"

The production press conference of TBS Autumn 2014 drama "Onna wa sore wo yurusanai" was held on 16 October which was attended by cast members Fukada Kyoko, Terajima Shinobu, Mizobata Junpei, Yoshizawa Hisashi, Kato Masaya, Takenaka Naoto, Matsushige Yutaka and Kamikawa Takaya. This is Fukada's first role as a lawyer and Terajima's first appearance in a private network drama in 6 years. The drama which will be shown from 21 October at 10pm on Tuesdays, features Fukada as a "paper lawyer" who hasn't been able to stand in court due to a past traumatic experience and Terajima as a celebrity lawyer who loses her licence due to her overly-aggressive ways to win cases. The two of them then form an unlikely alliance to help women in vulnerable positions facing problems such as maternity harassment and marriage fraud.

In line with the theme of the drama, the female leads were asked about what they can't stand lately. Fukada commented that she has been eating too much of the snacks brought by the crew and cast. As for Terajima, she took offence with a recent report in a weekly magazine that said she was on bad terms with Fukada which was totally baseless and even declared that she would make it known if she was really at loggerheads with her co-star. In response to this, Fukada expressed surprise because she didn't even know about this article.

Source: Sponichi / Chunichi

Press conference and special screening of TBS Autumn 2014 drama "Sakura ~ Jiken wo Kiku Onna ~"

The press conference and special screening of TBS Autumn 2014 drama "Sakura ~ Jiken wo Kiku Onna ~" was held on 14 October which was attended by cast members Nakama Yukie, Sato Ryuta, Ono Takuro, Morioka Yutaka and Ayane. The drama which begins its run from 20 October in the Mondays 8pm timeslot, is the first drama series Nakama is appearing in since she got married to actor Tanaka Tetsushi last month. As this was also Nakama's first public appearance since her marriage announcement, she was greeted by congratulatory cheers from the media to which she expressed her gratitude for the well-wishes.

Nakama plays a police officer named Mizusawa Sakura who has to go undercover and pick up leads while taking on various identities. As a result, she has to put on various costumes and uniforms during the filming. Sato Ryuta plays Sakura's buddy and this is the first time in a long while since Nakama and Sato are working together. However, the chemistry between them is still very much present which Ono said was like a couple's bantering.

Source: Sponichi / TBS

Preview of "Akka" - Autumn 2014

Tittle: Akka 悪貨 (Evil Currency)
Official website: here
Broadcast by: WOWOW
O.A. Start Date: 23 November 2014
Timeslot: Sundays 10pm
Total number of episodes: 5
Original novel by: Shimada Masahiko
Cast: Oikawa Mitsuhiro, Kuroki Meisa, Hayashi Kento, Abe Tsuyoshi, Sasano Takashi, Ishibashi Renji, Toyohara Kosuke, Takahashi Katsumi

Thursday, October 16, 2014

Preview of "Heisei Sarukani Gassenzu" - Autumn 2014

Title: Heisei Sarukani Gassenzu 平成猿蟹合戦図
Official website: here
Broadcast by: WOWOW
O.A. Start Date: 15 November 2014
Timeslot: Saturdays 10pm
Number of episodes: 6
Original novel by: Yoshida Shuichi
Theme Song: Soredemo Sekai wa Utsukushii by Shioya Sayaka
Insert Song: Bokura no Ibasho by Shibata Takahiro
Cast: Suzuki Kyoka, Koura Kengo, Hagiwara Masato, Takaoka Saki, Asaka Kota, Fukuda Ayano, Mine Azusa, Makita Sports, Ikeda Narushi, Chiba Tetsuya, Nakahara Takeo, Ishibashi Renji

Wednesday, October 15, 2014

Preview of "Doctor X 3 - Gekai Daimon Michiko" - Autumn 2014

Title: Doctor X 3 - Gekai Daimon Michiko
Official website: here
Broadcast by: TV Asahi
O.A. Start Date: 9 October 2014
Timeslot: Thursdays 9pm
Theme Song: Ai wo karada ni fukikonde by Superfly
Cast: Yonekura Ryoko, Endo Kenichi, Uchida Yuki, Katsumura Masanobu, Watanabe Ikkei, Makita Sports, Takahashi Kazuya, Kinoshita Takayuki, Naito Risa, Shonozaki Ken, Matsushima Hana, Furuya Kazuyuki, Nishida Toshiyuki, Nakao Akira, Ibu Masato, Takahata Atsuko, Kishibe Ittoku, Kitaoji Kinya

Tuesday, October 14, 2014

Preview of "Kyouwa Kaisha Yasumimasu" - Autumn 2014

Title: Kyouwa Kaisha Yasumimasu きょうは会社休みます (Taking today off work)
Official website: here
Broadcast by: NTV
O.A. Start Date: 15 October 2014
Timeslot: Wednesdays 10pm
Original manga by: Fujimura Mari
Theme Song: Fall by Makihara Noriyuki
Cast: Ayase Haruka, Fukushi Sota, Naka Riisa, Taguchi Junnosuke (KAT-TUN), Chiba Yudai, Hiraiwa Kami, Taguchi Hiromasa, Asano Kazuyuki, Fukikoshi Mitsuru, Takahata Atsuko, Tamaki Hiroshi