My reviews on Japanese dramas, movies & music as well as anything to do with J-ent. From the ML to the forum and now to the blog version, here's hoping that this space will be a trusted source of information for all J-ent fanatics and a platform where we can come together and share our thoughts. © 2006-2026 Chiaki. All rights reserved.
Saturday, December 27, 2025
Preview of "119 Emergency Call 2026 Yokohama Blackout" (Drama SP)
Saturday, May 24, 2025
The 123rd Drama Academy Awards (Winter 2025) - Best Theme Song
Voters Ranking Top 5
1) HEART - King & Prince (Onzoushi ni koi wa muzusugiru)
2) Circus Funk (feat. Chevon) - Katori Shingo (Nipponichi no saitei otoko)
3) Puppets Can't Control You - ONE OK ROCK (Mikami-sensei)
4) Eureka - Hoshino Gen (Madoka 26-sai, Kenshui yattemasu!)
5) Cinema - aiko (Ensemble)
TV Reporters Ranking Top 5
1) Puppets Can't Control You - ONE OK ROCK (Mikami-sensei)
4) Eureka - Hoshino Gen (Madoka 26-sai, Kenshui yattemasu!)
5) Illumination - B'z (Omusubi)
1) Puppets Can't Control You - ONE OK ROCK (Mikami-sensei)
Tuesday, February 18, 2025
A look at the reasons for Yokohama City Fire Department's decision to continue supporting "119 Emergency Call" behind the scenes
- Promoting the understanding of the fire department's work: Through the drama, the public can understand how the fire department's teams work together, how to make 119 emergency calls and the challenges in its inability to dispatch fire engines and ambulances "immediately" during certain situations. In this drama, the command centre officers do not actually go out to save lives but have an important role in "passing on the baton" to those on the ground and are equally pivotal to their other colleagues in the process of saving lives.
- The potential of positive spillover effects to fire departments nationwide: While this drama is set in Yokohama City, the importance of the work handled by the fire department's control centre would be the same anywhere else. As such, in order to convey this and boost understanding of their work, giving up on the collaboration with FujiTV so easily will no doubt be counterproductive to their efforts so far.
- To enhance the public's safety and boost awareness: As featured in the drama, most people who call the emergency hotline would tend to be nervous and in a panic mode thus cannot provide details or comprehensive information to the command centre's officers. This no doubt delays the speed of dispatching appropriate resources to deal with the situation and creates the inability of on-the-ground emergency personnel to handle the matter in the best way possible. This is when useful tips such as how to stay calm, speak succinctly yet being detailed would be of value to those reporting cases to the emergency hotline. In addition, making the public be aware of when to call the hotline such as those who can go to the hospital themselves shouldn't be calling for ambulances or showing how prank calls can waste time of the officers who should be working on the true emergencies are expected to boost safety for themselves and others since nobody would know when they might be the ones who require help one day.
Friday, February 14, 2025
Over-reliance on the unusual? - A look at FujiTV's perceived dependence on dramas featuring characters with special or supernatural powers
Amid the media frenzy surrounding FujiTV's troubles from the Nakai Masahiro incident, this article from FLASH caught my attention for highlighting an interesting observation about their dramas of late.
Apparently, FujiTV has been dishing out quite a number of primetime dramas featuring characters with special or supernatural powers and/or the use of special technology to the extent that there is concern expressed over their over-reliance on this genre and the supposed lack of creativity. In particular, the concentration of such dramas in the Winter 2025 season was highlighted as too coincidental to be true i.e. 3 out of 5 primetime offerings:
- "Aishii ~ Shunkan kioku sousa Hiiragi han ~" - the lead character played by Haru has the "camera eye" ability which allows her to make use of her photographic memory i.e. remember everything she sees to solve cases.
- "119 Emergency Call" - the lead character played by Seino Nana has the ability to remember everything she hears and uses it for her work as a command centre officer in the fire department.
- "Himitsu ~ THE TOP SECRET ~" - a special MRI technology is used to create images of the deceased's brains while they were still alive.
In addition, the previous season i.e. Autumn 2024 featured two dramas of a similar nature:
- "Usotoki Rhetoric" - the lead character played by Matsumoto Honoka has the ability to differentiate lies from the truth based on what people are saying.
- "Zenryouiki ijou kaiketsushitsu" - the gods make use of their special powers to solve cases related to strange phenomenon.
In view of these examples, this has led to comments wondering about FujiTV's dependence on this "fantastical or deviating from reality" genre and its tendency to portray women as those who can't get ahead in life unless they have a special power. To be fair though, we should also consider if the dramas are original productions or adaptations from existing material in other formats. In the case of "Himitsu" and "Usotoki Rhetoric", they are adaptations while the others are original stories. As such, this trend may have been due to one or a combination of two factors i.e. deliberately creating originals in similar formats and/or consciously picking original material with such elements.
One reason cited in the article to explain this tendency of FujiTV was said to be the use of directors who have been in the industry for a long time and them relying on tried-and-tested formulas to play safe. For example, the director for "Aishii" is said to have about 30 years' experience since being active from the 1990s. Even with creative input from the younger staff members on the production sets, the overall direction of the work still depends on the directors so the likelihood of duplicated themes and styles is assumed to be higher. In contrast, FLASH quoted the example of TBS' highly-praised Sunday dramas and noted that the directors tend to be different people thus resulting in varying directing styles and a more refreshing slate of content offerings.
Although it does look like FujiTV has a higher concentration of dramas featuring special or supernatural abilities of late, that's not to say that other TV stations are not serving up dramas of a similar nature. Fairly recent examples which I can think of include:
- "Eye Love You" (TBS - Winter 2024) - the lead character can hear people's real thoughts.
- "Gifted" (FujiTV & WOWOW - Summer & Autumn 2023) - A senior high school student who can see whether someone is a murderer and teams up with a police detective to solve cases.
- "Okutou ~ Kanjou sousakan Shinno Akari ~ Season 2" (NTV - Autumn 2024) - A police detective can see the colours of emotions in people and uses this to help her solve cases.
- "Oichi Fushigi gatari" (NHK - Summer 2024) - The lead character in this period drama can see how the deceased looked just by hearing their voices.
- "30-sai made doutei dato mahoutsukai ni narerurashii" (TV Tokyo - Autumn 2020) - A salaryman acquires the ability to read people's thoughts just by touching them when he turns 30 years old.
- "Kishibe Rohan wa ugokanai" (NHK - 2020 onwards) - The lead character has the ability to read people's thoughts and life history through a book
And of course, there are the oldtime classics like the "SPEC" series (TBS), "BORDER" (TV Asahi) or "Psychometrer Eiji" (NTV).
While I think that the argument about the recent concentration of this genre in FujiTV's dramas may be true to a certain extent, to say that the competitors aren't doing it at all is also not entirely correct. However, if such stories can be spread out more evenly across the seasons, it might reduce the perception of over-reliance on super powers in the dramas.
On a personal note, I am not really a fan of stories featuring people with extraordinary powers especially if the story setting doesn't really call for it. For example, the overall settings in "SPEC" and "Zenryouiki ijou kaiketsushitsu" do warrant having lots of characters with special powers so I'm generally fine with these. If not, my acceptance of such stories is comparatively higher when we are talking about more "believable" powers such as people's five senses being more sensitive than others or that they are just more observant. That being said, things which border on exaggeration can turn me off.
As for the point regarding how "normal" people or even women cannot get ahead in life without such special powers, I think it reflects how real life is like to a certain extent. You do have to display something different from the rest in order to distinguish yourself from the competition which is especially evident in "Aishii" because of the male-dominated environment which the lead character is in. However, having special powers that seem way too good to be true does reduce how realistic a story comes across and can alienate viewers to a certain extent if it's too far-fetched. How to strike a balance between logic and fiction is not an easy task at all.
In relation to this point about over-reliance on a single genre or story setting in dramas, one other thing which actually annoys me more these days is the overuse of the term "genius". It does seem like in order to make a character more appealing or charismatic, the person has to deviate from the norm by being much smarter than everyone else or achieve things beyond the usual person in the same age group. And every time I see the term "genius-XXX", it gets on my nerves so much because the over-concentration of geniuses in Japanese dramas and movies makes it feel as if ordinary people have become the rarity in dramaland. Especially if the description of how genius-like the person is gets too ridiculous, I tend to avoid such stories from the onset. It makes me wonder - most of us do not encounter that many geniuses in real life at such a high frequency so why does the J-dramaland feel like it's overflowing with so many of them?
Wednesday, February 12, 2025
Updates and new information from the Nakai Masahiro & FujiTV incident - 12 Feb 2025
- There is increasing worry from the production companies about how the programme budgets will be reduced further or they may end up having no work at all if the situation continues worsening.
- There are no specific measures nor compensation plans communicated from FujiTV to these production companies other than repeated apologies for the inconvenience caused to them.
- Some production companies have started reviewing the amount of manpower allocated to FujiTV programmes in view of the tough working conditions for the time being at least until the third party investigation committee's report is out.
- Some graduating students have also expressed concern about working in the TV industry now and asked the production companies about the current situation but there isn't much that they could share. As such, some students who received job offers have asked to cancel these even though it's already February. Typically, graduates join companies at the start of the financial year in April.
- With regard to having their revenue cut by the TV station, the Free Trade Commission's freelancer protection law and FujiTV's guidelines for partnerships with production companies should prevent huge cuts in principle. However, if the programmes get terminated, it would result in the total loss of income.
- While there is an existing settlement reached between Nakai and X-san, if this arrangement was forced upon the victim by anyone such as FujiTV executives, the settlement would not be valid legally. In such a situation, as long as the victim files a police report, the police can then begin investigations.
- As such, it is important for the chain of events and whether there was consent and intimidation involved to be established during the third party investigations.
- Things that should be done during the investigation include interviewing the parties involved and those related to them including the staff at the hospital where the victim had undergone treatment at. All communications records should be restored. Given the extent of information and effort required, they didn't think that FujiTV's investigation simply based on interviewing the parties involved would be sufficient in establishing the truth and that the police should get involved instead.
- However, if the victim doesn't file a report, the police cannot initiate an investigation on its own initiative.
- A questionnaire from the committee was sent to FujiTV employees on 3 Feb 2025 via email.
- Only employees of FujiTV and its parent company i.e. Fuji Media Holdings received the questionnaire.
- The questionnaire's aim was stated as "to investigate the current problem and identify cases of a similar nature".
- There was also a disclaimer stating that content provided in the questionnaire may be quoted in the findings report prepared by the committee but these responses will be reported anonymously.
- There was a question asking if the employee was ever made to participate in any gathering with cast members, staff from talent agencies, production companies, sponsors, advertising firms etc. at the orders of executives and against their own will.
- There was also another question asking for the identity of the person who gave the orders in relation to the above question.
- However, the questionnaire indicated that it may be difficult to investigate very old incidents so the answers should pertain to incidents that happened after April 2016.
- There will be a second round of questionnaires to be sent out which will focus on investigating the corporate culture of FujiTV.
- However, some have wondered why external production companies and freelancers who work with FujiTV were not included as the recipients of this questionnaire despite them being on the ground and should know the situation better than the TV station's employees especially those who are tasked with managing such external parties and do not get involved in the productions.
- On 10 Feb 2025, the committee announced the set-up of a hotline for external parties to provide information. The collection of responses will be conducted from 10 to 24 Feb and those who were former employees of FujiTV and Fuji Media Holdings or have business dealings with both companies can make use of this hotline.
- It expressed the grave concerns from its member companies about the ongoing situation.
- The impact of having to re-edit completed programmes, cancellations of location shooting arrangements etc. will not only affect the production companies but also spillover to those involved in the photography and editing processes.
- Many ATP members are small-and-medium enterprises so any show or work cancellations can lead to them facing the prospect of immediate bankruptcy.
- It called upon FujiTV to ensure fairness in dealing with and take reasonable steps to compensate the companies it works with as a result of these changes without resorting to blanket and drastic cuts to the budgets.
- The HQ building was designed by the late Tange Kenzo and features two towers i.e. the office and the media towers. Total construction cost was about JPY 135 billion and the move was completed in 1997.
- A key difference between the Odaiba HQ and the former HQ at Kawada-cho in Shinjuku was the office layout. Back then, in order to promote a sense of unity and boost collaboration across different departments, everyone worked together in an open-office concept.
- However, in Odaiba, departments were now segregated into different floors e.g. the programming side is on level 12 while the production side is on level 13. This then restricted communications between the departments and created silos within the organisation.
- According to Nomura Shuya, a lawyer and professor at Chuo University Law School when he appeared on ABC TV's "Oshiete! News Life Seigi no Mikata" on 1 Feb 2025, the new Odaiba HQ building was used an excuse to facilitate efforts in ousting the founding Shikanai family. Back then, in order to dilute the shareholdings of the Shikanais, there was a need to issue more shares but this required a proper justification. As such, the plan to create a huge and new HQ building for the TV station was conceived. When Nippon Housou, the parent company of FujiTV back then, went public and issued more of its own shares, this led to the further weakening of the Shikanais' control of FujiTV and the subsequent monopolisation of power by Hieda.
- According to Dentsu's report of the Japanese advertising market in 2023, total advertisement income for that year was about JPY 7.31 trillion. Although this was higher than the previous year, TV commercials actually decreased by 3.7% to JPY 1.7 trillion. In contrast, Internet commercials jumped by 7.8% to JPY 2.6 trillion.
- From Fuji Media Holdings' financial report for FY 24 (the year ended Mar 2024), while the media contents business accounted for 74.5% of its revenue, its contribution to the operating gains was less than half i.e. 43.4%. However, the city development and tourism business segment contributed the second highest revenue at 22.1% yet accounted for 54% of the operating gains.
- Other TV stations also have their "sidelines" such as NTV's affiliation to Studio Ghibli to strengthen its media business, TBS's tie-up with Yaruki Switch Group which is in the education business and TV Asahi owning multi-purpose halls in Ariake and operating Tokyo Dream Park.
- All of the TV stations also have links to various newspapers because their establishments were made possible after WWII through the expertise and experience of these news publishers. However, the principles of eliminating mass media concentration under the Broadcasting Act prevent the TV stations and newspapers from coming together to become one company. In order to get around this rule, news publishers typically become minority shareholders in TV stations and/or hold shares together with other local companies which are largely led by alumni from such newspapers.
- As such, the current affiliation situation is: Yomiuri Shimbun - NTV, Asahi Shimbun - TV Asahi, Mainichi Shimbun - TBS, Sankei Shimbun - FujiTV and Nikkei Shimbun - TV Tokyo.
- However, as newspapers face a more difficult situation than TV stations nowadays in terms of their operating environments, there is more resistance from the TV stations when alumni from the newspapers are transferred to TV stations to take up executive positions. Their influence on TV stations have also weakened due to developments such as Mainichi Shimbun's bankruptcy in the 70s and having to sell its TBS shares for the sake of making a comeback and Asahi Shimbun having to get TV Asahi to buy its shares due to heritance issues of its shareholders. As such, the tables have turned now and newspaper agencies are sometimes reduced to merely being the "news department" of the media company as seen in Sankei Shimbun's role in Fuji Media Holdings.
- Nevertheless, as newspapers still command a huge influence and hold strong ties with the government and financial sectors, it is still essential for TV stations to provide support to these newspaper publishers since they need the broadcast rights from the government to operate.
- While this has not been officially announced as yet, the Spring 2025 season is said to see a sequel of "Saigo kara nibanme no koi" starring Koizumi Kyoko for the first time in 10 years which is expected to be aired in the Mondays 9pm timeslot. As the story is set in Kamakura City and had gotten support from the city government back then including getting its employees to be extras during the filming, whether the same arrangement can continue for this sequel is questionable as local governments are more reluctant to be working with FujiTV now.
- A reported collaboration with a major airline for the Summer 2025 timeslot is said to be facing difficulties and at risk of being cancelled. However, FujiTV refused to comment on this matter.
- There are also rumours about Suda Masaki refusing to appear in a FujiTV drama (said to be a sequel of "Mystery to iu nakare") and Matsumoto Jun possibly rejecting his lead role in a Summer 2025 drama where he is reportedly playing a police officer. However, the authenticity of these news have not been confirmed as yet.
- "Tousouchuu" which aired its pilot in 2004 and has become a regular fixture of FujiTV, is said to be facing difficulties in securing suitable places for the filming. This hide-and-seek style show features celebrities running away from "hunters dressed in black" within a designated time in order to win prize money and the setting of the game is usually in a large scale commercial facility like theme parks and shopping malls usually on the days when they are closed to the public. It used to be that the filming was done on the streets in places with a lot of human traffic such as Odaiba, Asakusa, Yokohama Chinatown and Ikebukuro. In the past three years, the show has been aired on a seasonal basis and won in the game show category of "Asia Television Awards" in 2009. It has since spawned other versions such as novels, movies and games and its remake rights sold to countries such as the US and China. However, the show also had its fair share of controversies such as the trouble it caused in March 2024 in Tokyo when a male resident found the entrance of his apartment building blocked by the filming crew without the residents' permission. After the resident posted about this on X, FujiTV and the production company's handling of the situation was viewed unfavourably and attracted a lot of criticism. As such, the current situation facing the show may also be partly due to the bad press it got in the past.
- The variety specials in spring are also at risk of being cancelled. Last spring, FujiTV made more than 20 variety SPs and more than 25 for the autumn season. These numbers look set to drop drastically this year.
- Popular anime series "Sazae-san" was left with no sponsors from 2 Feb onwards when the last sponsor i.e. baby-and-children goods maker Nishimatsuya stopped appearing in the credits list. It had announced its decision to pull off the ads on 28 Jan following FujiTV's second press conference on the previous day and its name as the sole remaining sponsor was last seen at the end of the anime broadcast on 26 Jan.
- "FNS 27 Jikan Terebi" which is a regular variety SP during summer, looks unlikely to go ahead. According to Sponichi, although this year's main host is supposed to be members of a popular idol group, insiders revealed that some of the celebrities scheduled to appear have already been informed about the situation since the lack of sponsors has resulted in difficulty to secure funding for the large number of celebrities appearing in this show and multiple location shootings. This show is an annual event since 1987 and was cancelled once before in 2020 due to COVID-19 and replaced with "FNS Love & Music" in 2021 and 2022. It was resurrected in 2023 as a pet project of previous president Minato Koichi.
- As reported by Sports Hochi on 5 Feb 2025, the February and March broadcasts of BS FujiTV's mini programme "Oishii kioku kikasete kudasai" sponsored by Kikkoman will be cancelled. Another programme sponsored by the same company on FujiTV i.e. "Kuishinbo Banzai!" also had its February broadcast cancelled. Kikkoman's ad placement on FujiTV will remain suspended until further notice as it reviews how the situation develops.
- Its decision should not be interpreted as condoning sexual violence and assault. As the facts have not been made known, it did not think that there was reason to attack FujiTV and its employees based on speculation and hearsay. It had decided to go ahead with the CMs because it was convinced by the honest interactions with FujiTV's staff who are trying to face up to the issue and resolve it. As such, this is a decision with the future in mind.
- It refuted allegations of having received entertainment favours from FujiTV and insisted that there was nothing fishy going on between both companies.
Tuesday, February 04, 2025
The uncanny similarities of FujiTV Winter 2025 dramas with its ongoing scandal and other related observations
- 119 Emergency Call
- Himitsu ~ THE TOP SECRET ~
- Aishii ~ Shunkan kioku sousa Hiiragi han ~
- Mondai Bukken
- Nippon ichi no saitei otoko
- "119 Emergency Call" is set in a fire station's communications command centre where its officers have to deal with emergencies that involve life and death situations -> FujiTV's survival is in the balance due to the pullout of sponsors, loss of advertisement income, refusals to work with them by various organisations and the impact of its role in the scandal yet to be ascertained which could open up the possibility of lawsuits and penalties.
- "Himitsu ~ THE TOP SECRET ~" is a police suspense story using a special MRI special to create images of the brain to be used for investigation purposes -> FujiTV's press conferences were filled with ambiguous and opaque answers such as "unable to answer for the sake of protecting privacy", "yet to be ascertained" which coincide with the title.
- "Aishii ~ Shunkan kioku sousa Hiiragi han ~" features the lead character played by Haru taking on difficult cases with her special ability nicknamed Camera Eye (photographic memory) and grappling with her painful and unforgettable past. -> This coincides with the victim in Nakai's case who has to deal with the emotional scars from what happened even till now.
- "Mondai Bukken" is a real estate-themed mystery where the characters try to solve various strange things happening at different properties. -> There are two interpretations here i.e. FujiTV is a problematic property for its parent group and that Fuji Media Holdings actually earns more money from the property business than its media contents business.
- "Nipponichi no saitei otoko" features Katori Shingo as a man who is at his wits' end in life and forms a fake family with his brother-in-law and the latter's children. -> FujiTV's executives have been criticised for their poor handling of the crisis and nicknamed as the worst men in Japan.
- The works are serious in terms of settings and tones where the lead character (s) finds himself or herself in challenging circumstances and has to deal with difficulties that come one after another.
- Comparatively, there is lesser room for them to catch a breather as the problems are neverending. Humour is lacking in most of the works.
- Except for "Nipponichi no saitei otoko", the other 4 works feature weekly guests and are episodic in nature i.e. one case featured in one episode. These 4 also deal with life and death issues which is seen as a safe and tested formula to get a certain level of ratings in the TV drama industry.
- While "Himitsu" was included under FujiTV's count despite being made by Kansai TV, the writer omitted "Forest" from TV Asahi's list even though it is made by ABC TV.
- There is a discrepancy between the numbers in the cast chart and the cast list as shown in the table below.
- Cast charts and lists may change over the course of the season with the revelation of new characters. The numbers in the table below are accurate as of 3 Feb 2025.
- I have counted those where the characters are already shown in the cast charts even if the actors playing them have not been revealed e.g. "Kujaku no dansu, dare ga mita?".
- Animals and voice actors of animated characters were not counted in this tally.
- Only dramas that have a starting time within the primetime period of 7pm to 11pm were included in this tally.
- TV Tokyo dramas were excluded this time since they were not mentioned in the writer's analysis.
- While the numbers do show that FujiTV's dramas this season have a lower average cast size compared to the other TV stations, the unusually high number for TBS is actually due to "Mikami-sensei" which has 44 cast members, of which 29 of them are students. TV Asahi's "Aibou Season 23" has a high cast number as well due to most of them being police officers.
- The lower average could also be due to the fact that FujiTV has 5 dramas so the production budget is spread thinner across each of them thus leading to a smaller cast size.
- For dramas which have weekly guests e.g. "Kaseifu no Mitazono Season 7", the number of regular cast members tends to be on the low side. However, if you consider the guest list as well and assume that there are at least 2 per episode, the actual total should balloon to as much as more than double the number of regulars.
- The numbers between the cast chart and cast list can differ by a lot at times as some supporting cast members' photos don't get included in the chart especially if it is a conscious attempt to prevent clutter in the chart or over-complicating it. However, most of the dramas in the sample are seeing relatively small discrepancies between both sets of data which could be due to new cast members announced along the way on one side but not on the other.
- The average cast size for this season's primetime dramas is about 17 based on the above sample's cast chart numbers. In this sense, 4 out of 5 FujiTV's dramas are indeed below this number while "Himitsu" is on par. Comparatively, TBS' dramas are all above average, NTV has 2 out of 3 while TV Asahi has 1 out of 4 which exceed this figure. However, I think that the nature of the TBS dramas other than "Mikami-sensei" are seeing higher numbers partly due to the nature of their storylines which needs to cover more characters.











