Tuesday, September 30, 2025

Preview of "Zettai reido ~ Jouhou hanzai kinkyuu sousa ~" - Autumn 2025


Title: Zettai reido ~ Jouhou hanzai kinkyuu sousa ~ / 絶対零度~情報犯罪緊急捜査~
Official website: here
Official Instagram: here
Official TikTok: here
Official X: here
O.A. Start Date: 6 October 2025
Timeslot: Mondays at 9pm
Broadcast by: FujiTV
Cast: Sawaguchi Yasuko, Yasuda Ken, Yokoyama Yu, Kuroshima Yuina, Ichinose Hayate, Babazono Azusa, Kanada Satoshi, Matsukado Yohei, Shiramoto Ayana & Itaya Yuka 

Monday, September 29, 2025

Preview of "Bake bake" - NHK 2025 morning drama

Title: Bake bake / ばけばけ
Official website: here
Official Instagram: here
Official X: here
O.A. Start Date: 29 Sep 2025
Timeslot: Mondays to Saturdays at 8am
Broadcast by: NHK
Total number of episodes: 125
Theme Song: "Warattari konrondari" by Humbert Humbert
Cast: Takaishi Akari, Tommy Bastow, Yoshizawa Ryo, Okabe Takashi, Ikewaki Chizuru, Kohinata Fumiyo, Fukuchi Miharu, Tsutsumi Shinichi, Kitagawa Keiko, Itagaki Rihito, Kanichiro, Satou Honami, Marui Wan, Sano Shiro, Charlotte Kate Fox, Kurasawa Anna, Adachi Kono, Iwaya Kenji, Maehara Mizuki, Asagaya Shimai, Namase Katsuhisa, Iketani Nobue, Nouchi Maru, Iwasaki Udai, Asaka Mayumi, Kita Kana, Sakai Taisei, Emoto Tokio, Sugita Rairu, Hidaka Yukito & Shimokawa Kyouhei etc.

Sunday, September 28, 2025

Preview of "Papa to oyaji no uchigohan" - Autumn 2025


Title: Papa to oyaji no uchigohan / パパと親父のウチご飯
Official website: here
Official Instagram: here
Official TikTok: here
Official X: here
O.A. Start Date: 4 October 2025
Timeslot: Saturdays at 11pm
Broadcast by: TV Asahi
Original manga by: Toyota Yu
Theme Song: "Recipe" by timelesz
Cast: Matsushima Sou, Shirasu Jin, Tanahashi Nono, Sakura, Inomata Shuto & Renbutsu Misako

Saturday, September 27, 2025

Preview of "Hitonatsu no kyouhansha" - Autumn 2025


Title: Hitonatsu no kyouhansha / ひと夏の共犯者
Official website: here
Official Instagram: here
Official TikTok: here
Official X: here
O.A. Start Date: 3 October 2025
Timeslot: Fridays at 12.12am
Broadcast by: TV Tokyo
Original manga by: MANGAmuse & Hanai Kaori
Theme Song: "Limited Nights" by timelesz
Ending theme song: "Give in" by Chameleon Lime Whoopiepie
Cast: Hashimoto Masaki, Tsunematsu Yuri, Nagase Riko, Ishikawa Ruka, Jotaro, Uehara Amane, Akizawa Mizuki, Asano Shunya, Tobinaga Tsubasa, Masaki Reiya & Hagiwara Masato

Friday, September 26, 2025

Preview of "Oshi no satsujin" - Autumn 2025


Title: Oshi no satsujin / 推しの殺人
Official website: here
Official Instagram: here
Official X: here
O.A. Start Date: 2 October 2025
Timeslot: Thursdays at 11.59pm
Broadcast by: YTV / NTV
Original manga by: Endo Kataru
Cast: Tanabe Momoko, Yokota Mayu, Hayashi Meari, Shirota Yu & Masuda Takahisa

Thursday, September 25, 2025

Preview of "Moshimo kono yo ga butai nara, gakuya wa doko ni aru no darou" - Autumn 2025


Title: Moshimo kono yo ga butai nara, gakuya wa doko ni aru no darou / もしもこの世が舞台なら、楽屋はどこにあるのだろう
Official website: here
Official Instagram: here
Official X: here
O.A. Start Date: 1 October 2025
Timeslot: Wednesdays at 10pm
Broadcast by: FujiTV
Theme Song: "Gekijou" by YOASOBI
Cast: Suda Masaki, Nikaidou Fumi, Kamiki Ryuunosuke, Hamabe Minami, Tozuka Junki, Anmika, Akimoto Sayaka, Nozoe Yoshihiro, Nagano Satomi, Tomita Miu, Nishimura Mizuki, Ohmizu Yosuke, Ozawa Yuta, Fukui Natsu, Hyouroku, Matsui Shinya, Kaku Sou, Tawaraya Shun, Sato Tasuku, Nomaguchi Toru, Sylvia Grab, Kikuchi Rinko, Koike Eiko, Ichihara Hayato, Inoue Jun, Bandou Yajuro & Kobayashi Kaoru

Wednesday, September 24, 2025

Preview of "Banshaku no ryuugi 4 Shuutou hen" - Autumn 2025


Title: Banshaku no ryuugi 4 Shuutou hen / 晩酌の流儀4 秋冬編
Official website: here
Official Instagram: here
Official TikTok: here
Official X: here
O.A. Start Date: 3 October 2025
Timeslot: Fridays at 12.42am
Broadcast by: TV Tokyo
Opening theme song: "Ningen dashi" by Yamauchi Soichiro
Cast: Kuriyama Chiaki, Takeda Kouhei, Tsuji Nagiko, Baba Hiroyuki, Mister-chan, Tsuchiya Nobuyuki, Ookubo Kayoko, Motomiya Yasukaze, Akira 100%, Oshinari Shugo, Fuke Norimasa, Morita Kanro, Maeda Koki & Okayama Hajime

Tuesday, September 23, 2025

Preview of "25 ji, Akasaka de Season 2" - Autumn 2025


Title: 25 ji, Akasaka de Season 2 / 25時、赤坂で Season 2
Official website: here
Official Instagram: here
Official X: here
O.A. Start Date: 1 October 2025
Timeslot: Wednesdays at 1am
Broadcast by: TV Tokyo
Original manga by: Natsuno Hiroko
Opening theme song: "KIRA KIRA" by SIRUP
Cast: Komagine Kiine, Niihara Taisuke, Usa Takuma, Nagumo Shouma, Nakamura Makoto, Ishida Yoshihisa, Shinohara Yushin, Machida Mary, Imagawa Uchu, Fukutsu Kenzo, Hinagata Akiko, Natsuki Omi, Hashimoto Jun & Katayama Moemi

Monday, September 22, 2025

Quick Review #147: "Housoukyoku senkyo" - Summer 2025


Title: Housoukyoku senkyo / 放送局占拠        

Rating: 1 / 10

Recommended for
For those who have been watching the "Senkyo" series and don't mind the illogical developments and blatant attempt to stretch this franchise for as long as possible

* Potential spoilers ahead!

Liked:
- Nothing.

Disliked: 
- Much as my expectations had been very much lowered especially after the pretty disappointing Season 2, this was really terrible in more ways than one. There were plenty of ridiculous developments such as someone suffering a seemingly life-threatening injury yet coming back as if nothing happened or that Musashi just seemed to emerge unscathed no matter what happened to him. Even playing this at 1.5x speed was a huge test to my patience and I kept wishing for this drama to end once and for all. Although I could have dropped this halfway, I guess I was being a bit "defiant" as well because I wanted to see how bad this could get and to give myself a strong reason to stop watching this series, if it does have a sequel in time to come.
As I see it, the biggest issue with the story was the motives spurring the criminals who took over the TV station being terribly "trivial and stale". Actually, one common theme across all three installments of the Senkyo series was the injustice that people suffered or rather their loved ones did. As such, to rise against the rich and the powerful for causing those injustices was something I sort of expected to be a motivating factor for the three groups of criminals featured to date. Beyond this aspect, the underlying themes such as people being influenced easily by the mass media which present only one side of an issue (sometimes skewed, twisted or even faked) and irresponsible keyboard warriors who fail to realise the weight of their reckless actions are actually topics which can spur a lot of soul-searching and be analyzed in a meaningful and deep manner. However, this drama "packaged" the story in such a way that the significance and meaning of these issues were superficial at best. For example, the reason why the leader of the group bore a grudge against Musashi was for a reason that was no fault of the latter because he was just doing his job and that it was really a set of unfortunate coincidental circumstances that led to the situation. The lack of a compelling and convincing story to justify the actions of the criminals was really the biggest downfall of this drama. As a viewer, I couldn't care less for the group even when they were rounded up by the police and had to see their scheme fall through right before their eyes.
Although the drama's ending definitely hinted at a sequel by throwing up another BIG question, I think I've had enough. I don't think I can stomach another installment even in the name of supporting Sakurai Sho.

- While the concept of having a masked criminal group take over a key facility and the face reveal may have been refreshing and interesting in Season 1, the novelty had already worn off by Season 2 and it would take a lot for Season 3 to build on this predictable formula and introduce some new elements so as to entice viewers again. And I have to say, the cast playing the masked criminals just didn't spike the same level of interest and wow factor with each passing season. Unless you have someone who can really attract viewers' attention or at least have an actor who will make people excited seeing to lead the group, chances are, people won't bother staying on to find out who are the actors behind the masks. While the Internet was abuzz with netizens guessing who played who in Season 1 such as identifying Kikuchi Fuuma from the very first episode, I just didn't see that kind of fervent activity and interest during the runs of the sequels. And with each face reveal, it hardly left a dent and impression because it was pretty easy to guess especially from the midpoint onwards.
To keep bringing Kikuchi's Yamato back but not really giving his character much meaning to his motivations and depth in the story was a bad idea. It felt almost like the series was trying too hard to cling onto this character to be the thread that would string together all the installments in this series besides the lead character Musashi. It might have been better to move on and create a new nemesis for Musashi if all they are going to do with Yamato is just for him to appear periodically as a ghost haunting Musashi.

Sunday, September 21, 2025

Preview of "Eien ni tsuite no shoumei" (Drama SP)


Title: Eien ni tsuite no shoumei / 永遠についての証明
Official website: here
O.A. Dates: 5 Oct and 12 Oct 2025 at 10pm
Broadcast by: NHK
Original novel by: Iwai Keiya
Cast: Sugino Yosuke, Ryuusei Ryo, Sekimizu Nagisa, Kakei Toshio, Kishimoto Kayoko & Ozawa Yukiyoshi etc.

Saturday, September 20, 2025

Preview of "Shiba no okite ~ Warera inubaka henshuubu ~" - Autumn 2025


Title: Shiba no okite ~ Warera inubaka henshuubu ~ / シバのおきて〜われら犬バカ編集部〜
Official website: here
O.A. Start Date: 30 September 2025
Timeslot: Tuesdays at 10pm
Broadcast by: NHK
Original book by: Katano Yuka
Cast: Daito Shunsuke, Iitoyo Marie, Katagiri Hairi, Kogaken, Shinohara Yuushin, Yasu, Kuroda Daisuke, Mizukawa Katamari, Emoto Tokio, Tsuda Kenjiro, Takiuchi Kumi, Katsumura Masanobu & Matsuzaka Keiko

Friday, September 19, 2025

Preview of "Itsuka, mujuuryoku no sora de" - Summer 2025


Title: Itsuka, mujuuryoku no sora de / いつか、無重力の宙で
Official website: here
O.A. Start Date: 8 September 2025
Timeslot: Mondays to Thursdays at 10.45pm
Broadcast by: NHK
Total number of episodes: 32
Theme Song: "Usagi no hikari" by Yoshizawa Kayoko
Cast: Kiryu Mai, Morita Misato, Katayama Yuki, Ito Marika, Okudaira Daiken, Tamaki Sora, Kosaka Juri, Shirakura Aoi, Yamashita Kiri, Suzuki An & Namase Katsuhisa
Narrator: Emoto Tasuku

Thursday, September 18, 2025

Preview of "Yoru no douhyou - Aru yougisha wo meguru kiroku -" - Summer 2025


Title: Yoru no douhyou - Aru yougisha wo meguru kiroku - / 夜の道標 - ある容疑者を巡る記録 -
Official website: here
O.A. Start Date: 21 September 2025
Timeslot: Sundays at 10pm
Broadcast by: WOWOW
Original novel by: Ashizawa Yo
Cast: Yoshioka Hidetaka, Noda Yojiro, Takiuchi Kumi, Takasugi Mahiro, Wada Masato, Kimura Midoriko, Odani Koue, Yoshioka Mutsuo, Kobayashi Masahito, Masaki Reiya, Emi Kurara, Sakamoto Manato, Asakura Aki, Kashiwabara Shuji, Harada Konosuke & Uno Shohei

Wednesday, September 17, 2025

Preview of "Hei no naka no biyoushitsu" - Summer 2025


Title: Hei no naka no biyoushitsu / 塀の中の美容室
Official website: here
O.A. Start Date: 22 August 2025
Timeslot: Fridays at 11pm
Broadcast by: WOWOW
Total number of episodes: 7
Original novel by: Sakurai Mina
Cast: Nao, Kaho, Narumi Riko, Mitsuishi Ken, Kobayashi Satomi, Inori Kirara, Nakajima Sena, Kamikawa Shuusaku, Nakajima Ayumu, Nishida Naomi, Nagai Mijika, Hirooka Yuriko, Ise Shima, Kinashi Noritake, Asaka Mayumi & Yuki Saori

Tuesday, September 16, 2025

Preview of "Scoop no tamago" - Autumn 2025


Title: Scoop no tamago / スクープのたまご
Official website: here
Official Instagram: here
Official TikTok: here
Official X: here
O.A. Start Date: 7 October 2025 (To be released via Netflix first from 30 September)
Timeslot: Tuesdays at 12.58am
Broadcast by: TBS
Original novel by: Oosaki Kozue
Theme Song: "Camera Irony" by GLIM SPANKY
Cast: Okuyama Aoi, Maehara Kou, Ookura Takato, Sato Yuusuke, Nagaoka Tasuku, Shukugawa Atomu & Akapen Takigawa

Saturday, September 13, 2025

Quick Review #146: "Grand Maison Paris" (movie)


Title: Grand Maison Paris / グランメゾン パリ         

Rating: 6.5 / 10

Recommended for
For those who had watched the drama series and SP and wish to find out what happened next to Team Obana in Paris 
OR wants to watch a story depicting how people bounce back from setbacks and overcome the odds while featuring delicious-looking dishes 
OR are fans of the veteran actors playing key members in Team Obana

* Potential spoilers ahead!

Liked:
- As usual, the story featured Team Obana overcoming the odds and managing to achieve the seemingly impossible goal of getting the elusive Michelin 3-stars honour but this time, at the homeground of French cuisine as foreigners against the incumbents. As I mentioned in my reviews of the drama series and SP before, the fixation on pursuing the glorious but elusive Michelin 3-stars title actually doesn't resonate so much with me, perhaps due to the fact that I know very little about fine dining and French cuisine as a whole although I do enjoy some dishes and their sweets. Therefore, I was a bit concerned initially that the movie would "alienate" me again in this sense because at the back of my mind, Obana's obsession with seeking the 3 stars in Paris just wouldn't resonate with me. 
However, what made the story this time more engaging and palatable was uncovering the reasons driving his behaviour. As such, it became a lot easier to make sense of his stubborn-ness and sometimes blind faith in himself. 
What also worked for me was how the central theme of how "outsiders" are perceived when they make inroads into the territory of the incumbents was depicted. While it's easy to criticize the French featured in the movie for being narrow-minded, elitist and racist due to their reluctance to accept Obana as someone good enough to work with them, there was a line said by the caviar businessman which really showed how this issue would make a lot of sense if you look at it from the other perspective. Just as the French may not welcome nor acknowledge a foreigner for being good enough in French cuisine to earn the three stars, the same kind of attitude would most likely be displayed if you have a foreigner trying to open a sushi restaurant in Japan and claiming to be as good, if not better than a native Japanese. In this current world we live in, much as we aspire for and seek fairness and equality for everyone, the truth is that protectionism for locals or the majority as well as the animosity and distrust towards foreigners are issues which are impossible to ignore and pretend that they don't exist. The drama didn't try too hard to preach but I think this message still came across in a pretty impactful way.

- Being a story about cooking, I thought that the scenes towards the end featuring the menu which Team Obana came up with to aim for the stars were done pretty well. Not only did the dishes look so delectable and pretty, I think there was ample time in these scenes for the viewers to scrutinise the dishes visually as compared to how everything flashed by in the drama series and SP.

- While I won't say that anyone stood out this time, the older members in Team Obana definitely had a stable and self-assured vibe which made them look charismatic, appealing and cool despite the challenges they faced. By this, I mean Kimura Takuya, Suzuki Kyoka, Sawamura Ikki and Oikawa Mitsuhiro. I would have loved to see more of these four in action though.

Disliked: 
- First of all, as a movie which featured cooking, there was comparatively a lot less airtime dedicated to the actual dish development and cooking processes this time. I thought that it was a pity because this was actually one of the key elements which made me like the drama series back then because there was so much effort put into these scenes and they did make the viewers feel more involved in the entire process.

- Unlike the drama series and SP, I felt that Team Obana in Paris didn't really have a stand-out younger generation representative or someone who could become a fixture in the team going forward so it felt like the "succession" element of the story was somewhat lacking. While Ok Taec-yeon's role definitely hogged the limelight for the younger camp, I don't really see him becoming a fixture in Team Obana for future editions of the Grand Maison series (if any) because his character seemed more like someone who should become a top notch patissier on his own with his own shop, not someone working with Obana for the mid or long term.

- For those who have never watched the drama series and SP, it might be challenging to make sense of the story especially the relationships between the members in Team Obana and the experiences they shared together. As such, the storyline might come across as confusing and fail to engage such viewers from the onset.

- Due to the fact that Team Obana boasted an international lineup this time and the location was in Paris, there were at least 4 different languages being spoken in the entire 2 hours. While I can't comment on the accuracy of the English subtitles for French and Korean, the Japanese ones did seem OK as in no blatant translation mismatches and errors. That being said, I think there is a need to delve into the meaning and importance of having subtitles beyond just being a translation medium across languages. 
I think that there is always this assumption that for foreign language films shown in Singapore, they tend to skip the subtitles if the dialogue is in English. Maybe it's the same elsewhere - are there Chinese subtitles for movies shown in Chinese-speaking locations? Or are there Korean subtitles for Korean dialogue in movies?
The problem is, much as English is very much used and understood in daily life and business settings here, the content of the lines may not be easily understandable if there is jargon involved or there are pronunciation, accent or even audio issues. In particular, the part where Linda (Tominaga Ai) was explaining the dishes in Grand Maison Paris' set menu - this was entirely in English with zero subtitles appearing on screen. While I did understand mostly what she said, there were some parts which I wasn't sure of because she used some terms to describe the dishes which were not so commonplace in daily life. I guess people who are gourmets or know more about fine dining may be able to understand these parts better. As such, having subtitles would be good to facilitate understanding of the lines.
I also touched on the point regarding audio above. Sometimes, due to the surrounding noise at the filming location or the actors' diction, it can be very difficult to pick up what they are saying. Moreover, subtitles can also help those who have hearing issues to understand the movie without actually listening to the dialogue. For a large chunk of this movie to have zero subtitles, I don't think that's a good move in terms of being inclusive to the audience at large. Just don't assume that the Singapore audience does not need English subtitles for English dialogue, please? If the OTTs are even having subtitles for actions like close the door, the phone rings, surely movies can provide a similar experience without having to go through parts of the movie without understanding fully.

- I guess the movie chose to focus more on the process rather than the outcome. Getting the three stars was more or less a given since Team Obana was already at the edge of the cliff and needed this to survive. However, for the movie to end just like this without no scene at all about how Team Obana reacted to the win, this was too abrupt and felt sloppy. Perhaps there are plans to talk about this aspect in yet another sequel but it would take a lot more to wow people next time instead of just repeating the formula of win -> fall from grace or suffer setback - > overcome the odds -> all over again.

Sunday, September 07, 2025

Quick Review #145: "Yurigokoro" (movie)


Title: Yurigokoro / ユリゴコロ          

Rating: 8 / 10

Recommended for
For those who want to see a well-crafted suspense story with intricate elements and great acting from the cast especially the three leads

* Potential spoilers ahead!
* I have not read the original novel.

Liked:
- Although the movie appeared to be just a mystery story right from the start, there was actually more than that. The two storylines which ran concurrently with each other were in fact very closely linked to each other. What I really liked was how the relationships between the characters were revealed in such a way that there were surprises and twists waiting to be uncovered by the viewer at various junctures. As such, the movie which may have been slightly longer than 2 hours, didn't feel boring as a whole. 
It was also commendable that while the story packed some surprises to "shock" the viewers, it also left a number of clues which we could pick up along the way to guess where the plot was likely heading towards. In this sense, when my hunches were proven correct, the gratification felt as a result also contributed to my positive assessment of this film. Layering and strike a balance between dangling clues and revelations was definitely not an easy feat. Often, many mystery or suspense stories fail to get this balance correct - either the outcome turned out to be totally unexpected because there were no clues at all or the outcome became so predictable because the clues were laid out in plain sight.

- The acting especially from Yoshitaka Yuriko and Matsuyama Kenichi was brilliant. Yoshitaka always has a knack for tackling such challenging roles especially those with warped mentalities or twisted characters and she delivered as usual in this movie. I really liked her chemistry with Matsuyama in this movie and their characters were such a joy to watch despite how dark and tragic the story was heading towards because of how their fates were intertwined with each other. Matsuyama may not have appeared until the later part of the story but his impact in the grand scheme of things and his character's "self-revelation" was done in such a compelling manner.
On the other hand, Matsuzaka Toori had a bit of a challenge in comparison because he didn't get the luxury of having a "fixed onscreen partner" like what Yoshitaka and Matsuyama did as his story involved interacting with a number of characters. In fact, he had to search for his "missing" fiancee played Seino Nana most of the time so he was pretty much "alone" in this sense. However, he still managed to show the transition of his character in a believable and engaging manner as he found out about the other storyline and how it fitted in his own life.
Among the supporting characters, I thought that Kimura Tae and Kiyohara Kaya probably stood out the most among them even though they didn't have that much screen time.

- Considering that the storylines were actually from two different periods in time (not explicitly mentioned in the movie at first but revealed later), there were different actors who had to play the same characters for the separate timelines. I thought that the casting was done pretty well in that sense because the actors from the different eras actually resembled one another in one way or another - maybe not so much in terms of looks but the overall vibe so it was not difficult to draw links between them and not feel as if they were totally unrelated. For example, I had never really seen a resemblance between Kiyohara Kaya, Yoshitaka Yuriko and Kimura Tae until this movie so kudos to the casting director for making such good choices. Often, many works fail to get this done properly so I always struggle to draw links between the actors doing the same characters especially if the looks of the actors differ in a big way.

Disliked: 
- While I did like this movie as a whole, I felt that there were some questions which were left unanswered. For example, the origin and background story of the heroine - was there a contributing factor that led to her unique psychological state or was she born like that? Or how about the fact that she was able to kill so easily despite her physical limitations against much bigger and stronger people? As such, the story didn't seem so complete with these minor omissions. Much as I understand that these probably wouldn't affect the movie in a major way, I thought that for the sake of getting a clearer and more complete picture, it might have been better to get some answers.

- The two storylines may have been brilliant in their own ways but I also cannot deny the fact that the current story arc was a tad lacking in terms of emotional tension and excitement compared to the past arc. It felt like the current arc was sort of like the vehicle to keep the past arc going so sorry to say, I was actually hoping to see more of the past arc where the action was taking place.

Friday, September 05, 2025

Quick Review #144: "Daitsuiseki Keishicho SSBC kyoukouhangakari" - Summer 2025


Title: Daitsuiseki Keishicho SSBC kyoukouhangakari / 大追跡 警視庁SSBC強行犯係           

Rating: 2 / 10

Recommended for
For those who are fans of the cast members and don't mind a lacklustre storyline

* Potential spoilers ahead!

Liked:
- What made this drama different from many other police detective stories was the integration of modern investigation techniques tapping on technology. As such, in this regard, it was a refreshing take on approaching criminal case investigations and was a nice contrast with the traditional methods doing so. There were quite a number of interesting technological concepts introduced along the way so I found that there was a bit of educational value amid the entertainment.

Disliked: 
- However, the biggest issue with this drama was the poorly crafted story. Considering that the entire drama spanned 8 episodes, as many as 6 could be considered as fillers which hardly contributed to the so-called hidden conspiracy/background story. And then things got wrapped up so sloppily as if the drama had to be wrapped up in a big hurry. I held out till the end and was anticipating a major twist or some grand conspiracy that could effectively write off the frustration and boredom brought about by the meek and predictable storyline in the first two-thirds of the drama. Not only did it fail to deliver that, how things ended just felt as if the characters went through so much for nothing. To be honest, I was also pretty upset about wasting my time on this title over the past two months or so.

- While I admit that one of my initial motivators for watching this was to support Aiba Masaki, I was also attracted to the fact that Oomori Nao was one of the three leads and the script was by Fukuda Yasushi. Surely this drama would be of a decent quality with these two elements in place? Despite a pretty stellar cast, the actors were indeed let down by the story which did not give much room for the characters' development. Most of them were very forgettable because there were not that many background stories and developments to help them make an impression on viewers. The three leads also did not really get to display a "bond" between their characters or become a trio who became great work buddies over the course of spending a few months together. If it had been that the characters were at least appealing or endearing to watch, I might have been a bit more forgiving in my assessment of the disappointing storyline.