Showing posts with label Kodoku no Gurume. Show all posts
Showing posts with label Kodoku no Gurume. Show all posts

Wednesday, April 01, 2026

Preview of "Kodoku no Gurume Season 11" - Spring 2026


Title: Kodoku no Gurume Season 11 / 孤独のグルメ Season 11
Official website: here
Official Instagram: here
Official TikTok: here
Official X: here
Official YouTube: here
O.A. Start Date: 3 April 2026
Timeslot: Fridays at 12.12am
Broadcast by: TV Tokyo
Original manga by: Kusumi Masayuki & Taniguchi Jirou
Cast: Matsushige Yutaka

Wednesday, December 24, 2025

Preview of "Kodoku no gurume 2025 Oomisoka SP Okawari wa, Goro serufu de hakobimasu!" (Drama SP)


Title: Kodoku no gurume 2025 Oomisoka SP Okawari wa, Goro serufu de hakobimasu! / 孤独のグルメ2025大晦日スプシャル おかわりは、五郎セルフで運びます!
Official website: here
Official Instagram: here
Official TikTok: here
Official X: here
O.A. Date: 31 December 2025 at 9.55pm
Broadcast by: TV Tokyo
Original manga by: Kusumi Masayuki & Taniguchi Jirou
Cast: Matsushige Yutaka, Shinkawa Yua, Morinaga Yuki, Fukuzawa Jubun, Yazaki Kina, Hirata Atsuko, Tajima Reiko & Tsukamoto Takashi

Sunday, March 23, 2025

Highlights from Matsushige Yutaka's Q & A session at the Singapore premiere of "Gekieiga Kodoku no Gurume" / "The Solitary Gourmet"



There was a 30-min Q & A session featuring Matsushige Yutaka i.e. the director, scriptwriter and lead actor of the movie "Gekieiga Kodoku no Gurume" (The Solitary Gourmet) at the Singapore premiere held on 19 March 2025. Note that the following is not a word-for-word transcript of the session but rather highlights. Some questions and answers have been edited/rephrased and additional information included for the sake of clarity and context.

Before the screening, there was a QR code flashed on screen for the audience to submit questions. You could either choose to stay anonymous or include your name. As such, during the actual Q & A, some of those who had provided their names were called upon to ask Matsushige their questions directly. Otherwise, the host was the one who asked the questions. As some questions were either similar in nature or asked about the same thing, it was clear that the staff had organised the questions to be asked beforehand rather than going through all the questions that were submitted through the QR code.

While questions raised here were largely in English, save for some Japanese greetings here and there, Matsushige had an interpreter with him onsite in Japan. As such, there were some gaps in the session as the translations were taking place both ways.

Although I felt that it was a good arrangement to submit questions beforehand rather than have awkward pauses in between the session and waste precious time waiting for people to raise their hands, it would be good to let the audience know beforehand that they had a chance to talk to Matsushige directly by submitting questions with their names. It was obvious that those who were called were quite taken by surprise so they were obviously nervous and fumbled with their questions. It was inevitable that the questions came out a bit messy and lacking in context than what I actually saw on the submission site. I also submitted a number of questions which were addressed during the session but without providing my name since it was a hassle to type that repeatedly before the screening was about to start.

Disclaimer: As I was seated very far at the back, there were some points when the audio from Japan was slightly muffled and I may have misheard certain parts. If you notice any discrepancies below, please feel free to let me know.

Questions are in bold/italics:



Matsushige-san, the "Kodoku no Gurume" series which is based on a manga has been made popular around the world after 10 seasons on TV. This time in the movie, you are not only acting as the lead character Inogashira Goro but also taking on the roles of the director and scriptwriter. How do you feel about this?

It's been about 13 years since we started with the TV drama series on a very small scale with a small number of staff members. As the only person who has been a constant in this series all these years, it was a natural move for me to lead the production of the movie.


As travel content creators on social media, we love sharing great food spots in Japan. However, we constantly worry about these places getting overwhelmed by tourists due to the tourism boom in Japan and whether these shops can handle the influx of customers. What are your thoughts about this issue when introducing food spots in Japan through the "Kodoku no Gurume" series? (question from audience)

There are indeed a lot more tourists in Japan these days especially from South Korea, China and Taiwan. While there are many places nationwide especially outside the major cities which may be pretty unknown even to the Japanese, we are very pleased to see that these delicious restaurants have received attention and favour from the fans as seen from the long queues that have formed. 


Have you been to Singapore and what is your favourite dish here? (question from audience)

I used to work part-time in a Chinese restaurant so I'm quite familiar with Chinese cuisine. I have the impression that Singapore has plenty of delicious Chinese food as well as other Asian cuisine to offer. While I may not know about a lot about these, the first thing I can think of is Hainanese chicken rice. It would be great if you can share more with me about the delicious food in Singapore which I should try.


Hi Matsushige-san, thank you very much for featuring my family's restaurant i.e. the chanpon place in Goto Islands. I was very excited to see this on screen and wanted to take this opportunity to say hi and thank you. (question from audience)
* The speaker is the eldest son of the family which owns the chanpon restaurant featured in the Goto Islands arc of the movie. His grandparents are running the place and he is currently based in Singapore with his family.

You should have told me earlier! (laughing) Wow, it's amazing to have this connection all the way from Singapore!

Due to the location of Goto Islands, the food and culture there have been heavily influenced by foreign nations such as China and South Korea so it has evolved into something which is uniquely different from that of the rest of Japan. The chanpon is an example of such a special dish.


I would like to ask how you manage to make eating look so appetising! I remember that there was a season of 5 episodes where you had to eat rather "adventurous" food so how did you manage to do that even for such foods? And please come to Singapore for a special season, thank you. (question from audience)

Oh, that should be about the "misadventures" in Season 5, right? Although I cannot recall all the dishes from then at this moment, there was a wasabi-don which was especially memorable. And of course, if you have any special food or those to be eaten in an unusual way at places not frequented by Japanese tourists, please share that with me too.

Since we deal with a variety of ingredients and dishes in the series, we usually ask the restaurant owners about the best way to enjoy the dishes so this helps me to show that to the viewers.


In Singapore, we sometimes have disputes with our neighbour Malaysia over the origin/birth rights of popular dishes. What are your thoughts about this issue when there are controversies of a similar nature surrounding Japanese food? (question from audience)
* The speaker used the term "being attacked by Malaysia" multiple times in this question. From what it seems, the question's context is probably with reference to controversies or arguments to date over which place was the origin of popular dishes such as chicken rice and chili crab.

I'm not sure if I understand this question correctly because we don't seem to see this kind of terminology used here in Japan.

In Japan's case, we do have some disputes (both historical and ongoing) with our neighbours at times. However, I think that at least through food, there is a lot that we can share with one another
as seen from how the women from different places co-exist in harmony on the remote island featured in the movie as they work towards the common goal of food research.


What is the next project that you are working on that we can look forward to seeing in future? (question from audience)

I think there is a need to discuss with related parties such as TV Tokyo on our next step so I do not know for now what's coming up. Our initial goal for this movie was for it to be well-received by the domestic audience so for this to go international and be loved by the world, this has been an amazing and unexpected adventure. In any case, I hope to continue the engagement with food through this series and that there will be an opportunity for us to share it with all of you in Singapore.

Friday, March 21, 2025

Review of "Gekieiga Kodoku no Gurume" (劇映画 孤独のグルメ) / The Solitary Gourmet


Disclaimer and clarification:
  • While I like the "Kodoku no Gurume" drama series and have read and do own the Japanese version of the manga, I haven't actually finished watching all seasons of the drama version. As such, while I have watched up to Season 2, my review is primarily centered on the movie and just have a few references from the drama based on what I know so far.
  • During the Singapore premiere of this movie, the host of the Q & A session said that there were 10 seasons of the drama series. Strictly speaking, this is not accurate because there were actually 2 seasons in 2022 and 2023 which were streamed exclusively on Paravi, Hikari TV and Lemino. In addition, there was a special edition titled "Sorezore no Kodoku no Gurume" shown last year to commemorate TV Tokyo's 60th anniversary. If these three are also taken into consideration, the entire "Kodoku no Gurume" series should have 13 seasons in total.
For those who are not aware of or unfamiliar with the "Kodoku no Gurume" series, one concern that you might have is whether you can still enjoy this movie without this prior knowledge. Based on what my companion who attended the premiere with me said, that wasn't an issue since the movie had an easy-to-follow plot. This being said though, if you are aware of some of the things which went on in the past or have some idea of who Inogashira Goro is, it might help you to enjoy this movie a bit more. 

To begin with, you might be wondering why the title of this movie is "Gekieiga" (劇映画) rather than "Gekijouban" (劇場版) which we tend to see in movie versions of drama series, novels, manga or anime. Both terms actually mean the same thing i.e. full-length feature films which are shown in cinemas. However, there is a difference in the usage of these terms and nuances surrounding them. Gekieiga usually refers to feature films where actors act in fictional stories. However, feature films which are non-fiction in nature and do not feature people's acting are classified under genres such as documentaries and cultural films. On the other hand, the term "gekijouban" tends to be used for remakes or re-edits of audio-visual works like anime and TV dramas or works and places a stronger emphasis on the original work which the movie is based on.


As such, based on the term "gekieiga" used in the title of this movie, it gives you an idea that most, if not all movie-goers, regardless of whether you have read the manga or watched the drama before, should be able to enjoy it as a standalone movie. If it was termed as "gekijouban", chances are, you would need some prior knowledge to make sense of the story. In fact, Matsushige himself chose the term "gekieiga" to signify that the movie is not merely an extension of the drama series and is a standalone feature film.

In a nutshell, the movie describes how Inogashira Goro (Matsushige Yutaka) embarks on a journey to various places to find the ingredients needed to make a legendary soup called "Icchan-jiru" as requested by the elderly father of his ex-girlfriend Sayuki. This is where I thought that knowing who Sayuki was would make a bit more sense to those who might wonder why Goro had to accept this request and go to such great lengths to fulfill this mission. In the movie itself, it doesn't really say clearly who Sayuki was other than hinting that she used to be a longtime acquaintance of Goro and she had asked her daughter Matsuo Chiaki (An) to look for Goro in case she needed help in future.

From this point onwards, if you do not wish to read spoilers about this movie, please skip the portion below and return only when you have watched the film!

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Despite the fact that the story was pretty straightforward, I felt that it was pretty well-structured and didn't feel like a prolonged version of the drama's episodes. While some settings may seem ludicrous or simply too good to be true and the shifting between arcs was a bit abrupt at times, I think that the movie turned out to be better than I thought in terms of the story. I was quite concerned initially as to whether the eating and visiting of restaurants alone would be sufficient to shore up a full-length feature film but thankfully, my worries were unfounded.


One thing which kind of bothered me was Goro's "drift" from Goto Islands in Nagasaki (the red circle in the Google Maps screenshot above) to some remote island in between that and Gujora in Geoje, South Korea (the red marker on the map). While I may not be that familiar with South Korean geography, I roughly remember where Geoje is based on my years of watching 2 Days 1 Night. Somehow, I had the impression that Goto Islands and Geoje are so far apart that it didn't seem logical for Goro to be swept towards there and survived in one piece. Looking at it on Google Maps sort of confirmed my hunch that it seemed way too wide with hardly any island between both places other than Tsushima and Jeju. Of course, given that the movie did not specify where exactly the remote island is (could have been much closer to Goto Islands than Geoje) and how long it took to travel from the island to Geoje when Daniel sent Goro there, I have to give the benefit of the doubt to the movie and assume that the scenario Goro was in could be remotely realistic.

I must say, Goro (Matsushige) doing what he excels in i.e. making solo eating look like such a relishing and gratifying experience was definitely the highlight of this movie. My viewing companion commented how good he looked when eating and making everything look so delicious so I guess this speaks volumes of Matsushige's success in bringing Goro to life and being able to win over first-time viewers of this series through this movie. Be warned though, don't watch this on an empty stomach because you might feel so hungry and craving for food while watching the movie. Truth be told, I was feeling peckish after watching this but had to suppress my urge for supper since it was already quite late at night by then.

One thing I wanted to highlight is the guest lineup for this movie. In many cases, the cast and staff credits tend to appear towards the end of the film so that there is a surprise element for the audience to see unexpected stars appear as guests. However, this movie laid out its "cards" from the start and I was especially excited to see Odagiri Jo's name on screen. Prior to watching this movie, I only knew about An, Isomura Hayato and Endo Kenichi's guest appearances so Odagiri turned out to be a nice bonus for me. Too bad that he and Uchida Yuki didn't have any scenes together despite playing a married couple who were taking some time off each other due to some issues. Special mention also goes to the actor playing Daniel who definitely made a strong impression on screen.

Endo's portrayal of Matsushige himself in the movie really cracked me up because he nailed the key characteristics of Goro and Matsushige and this was especially meaningful considering that they are good friends in real life. Oh, and the token of appreciation which Goro was given for appearing as an extra in "Kodoku no Gurume" which was filmed at Sincerite - that might not have meant much to those who didn't know. However, that pen with the banana character is actually the mascot of TV Tokyo i.e. the TV station that spotted a gem in "Kodoku no Gurume" and took a risk to make the drama series despite the skepticism over its commercial viability back then. 

Yoo Jae-myung's special appearance in the Korean arc cracked me up as his character and Goro were communicating in a mix of English, Japanese and Korean as well as body language. I would have loved to see more of Yoo though since he's one of my favourite Korean actors but I guess, it's better than nothing.


Considering that the movie seems targeted at an international audience, I thought that the subtitles left much to be desired. To begin with, there were chunks of dialogue which did not get translated for whatever reason e.g. some of Goro's monologues and the Korean parts from Yoo. I don't know if the subtitles have the same issue for all versions circulated outside of Japan but if the assumption is that a language is common knowledge in that country and you omit those lines on purpose e.g. English in Singapore or Chinese in Hong Kong or Taiwan, I feel that this defeats the aim of having subtitles in the first place. 

While the intention of having subtitles may be primarily to translate foreign language lines, there are also other uses for them such as those who can understand the spoken language but the diction or audio is not clear enough to be understood. And for those who have hearing difficulties, these subtitles allow them to enjoy the film as well. As such, I would have expected more care and effort in making sure everything gets translated. In addition, having translations alone is not good enough because you do need to get it correct. Even with my limited Korean proficiency, I could pick out some inaccurate or slightly off translations in the subtitles so this problem definitely did not help in the understanding of what was spoken.

And probably because this movie showcases a variety of foods from different countries, I felt that the Japanese influence of the movie was comparatively weaker than that of the original drama series. I get it that the nature of the story this time required the inclusion of non-Japanese dishes but it would be nice to have a film next time with a stronger Japanese angle beyond the usual things we already know.


This time, there is a new theme song by THE CRO-MAGNONS titled "Kuufuku to Ore" (空腹と俺) which literally means "an empty stomach and me". While I missed hearing the signature Goro tune from the drama series, I get it that the movie needs to distinguish itself from that so that explains a different theme song. Nonetheless, it would have been better if the lyrics of the song were translated so that non-Japanese speakers can get the fun and relevance of these with the theme of the movie or Goro's universe as a whole. For those who are interested, you can hear the song and view the lyrics here.

Last but not least, do keep a lookout for the little quirky things onscreen which probably make a bit more sense if you already are familiar with the series or know the Japanese language. For example, the license plate on Goro's car i.e. 5-6-3 is actually a pun on his name Go-ro-san. If you notice other interesting titbits from the movie, please feel free to share them with me.


On the whole, I felt that this movie was good in the sense that it offers a low barrier to entry for those new to the "Kodoku no Gurume" world yet establishes itself as a proper standalone film with a decent storyline rather than a remake of the drama/manga. At the same time, it also offers some things old, some things new for existing fans to look forward to. Despite this being Matsushige's directorial debut and he also had to juggle the role of writing the script and playing the lead character, I look forward to seeing more of his works especially if he is going to make more movie versions of this series. 

If this movie is playing in a cinema near you, do go ahead to check this out and indulge!

Thursday, March 20, 2025

Thoughts about the Singapore Premiere of "Gekieiga Kodoku no Gurume" (劇映画 孤独のグルメ) / "The Solitary Gourmet" - 19 March 2025

While I haven't had a lot of luck in winning at lucky draws or giveaways, I managed to get a pair of free tickets to the Singapore premiere of "Gekieiga Kodoku no Gurume" / "The Solitary Gourmet" on 19 March 2025, thanks to Japan Creative Centre. To be honest, I wasn't expecting this at all and had prepared myself mentally to go and watch this when the movie is released here at the end of this month. As such, winning the tickets came as an unexpected but very pleasant surprise.

Actually, I hadn't even expected that the movie version of "Kodoku no Gurume" would make it to our local cinemas. That's not because I have doubts over its popularity or the appeal of the title but rather, I've always had the impression that awareness of this series and the manga here in Singapore should be fairly limited to 知る人ぞ知る i.e. those who know know or those who follow Japanese pop culture. In fact, I was guessing that another food-themed movie "Grand Maison Paris" had a higher chance of making it here because the drama series "Grand Maison Tokyo" is available for viewing here on Netflix and Kimura Takuya is arguably more well-known than Matsushige Yutaka even to those who are not that familiar with Japanese stars. On the other hand, all seasons and SPs of "Kodoku no Gurume" can be viewed on Netflix Japan but not in Singapore. As such, to see that "Kodoku no Gurume" is coming to our shores first as compared to "Grand Maison", this speaks volumes of the series' popularity and the distributor's/sponsors' confidence in this title. Hopefully, the box office takings will be at least enough to cover the costs, considering that this is offered exclusively at The Projector and it's unknown as yet how the screening schedule will be like and how long this movie will run here in Singapore. 

The size of the hall is also worth considering when determining if the release is a commercial success. If the screenings are held in venues like the Yangtze Hall which was the venue of this premiere, it's considerably bigger than the usual theatres used for Japanese films in the past. This could be a good or bad thing though. While it will definitely be more difficult to fill up one hall, it will allow more to fit into one session rather than have multiple screenings with smaller audiences. I would assume that more sessions and bigger halls will incur higher costs so striking a balance is definitely challenging. I certainly hope that things will work out well because if Japanese films don't do well here in the box office, it can mean that we won't get to see more releases in future other than those which are featured during film festivals or not released on a commercial scale.

On the whole, this was a good event which went reasonably well, save for the undesirable behaviour of some members of the audience. Actually, at the beginning of the screening, there was already a "warning video" from The Projector reminding people to be mindful of their behaviour in the cinema and not disrupt others' viewing experience. I personally found that video quite interesting and witty - it was rather unlike similar warning clips in the past because it was so direct in highlighting the bad habits of some movie goers. 

However, there were still many who were late for the screening and made so much noise while looking for their seats. And even if you needed to find your seats in the dark, your mobile phone's light should not be moving around and shining into other people's eyes instead of being pointed downwards to the floor and onto the seat numbers on the chairs. The bewildering thing was, the seat numbers and rows were already illuminated in the darkness and there was quite a bit of light from the screen so do you really need that additional light from your mobile phone? I also had the misfortune of being seated behind this latecomer who came in past 8pm - the movie had already passed the halfway mark by then and our view was blocked for a while as a result. I can't help but wonder, shouldn't there be a cutoff point to prevent these latecomers from interrupting everyone else who made an effort to be on time? Of course, given that the timing of the screening coincided with the evening rush hour and the traffic situation was probably worsened by the rainy spell for the entire day, I get it that people could be held up despite their best intentions. However, it might be good for organisers to consider whether to set a cut-off time for admission for the benefit of those who are on time for future events. If I was at a movie which I paid for and my viewing experience was marred by this, I would be even more annoyed. Not that anyone deserved anything less for a free screening though.

The other thing which was truly unpleasant to watch, were the people who left before and during the Q & A session with Matsushige Yutaka. No doubt that he was not physically present here in Singapore, the fact that he dialed in from Japan (which is one hour later than SG) and the logistics, time and effort put into the preparation surely warranted more respect from those who turned up for this screening. While I understand that there may be many who came for the sake of the free screening and may not be fans of the series or Matsushige himself, it was basic courtesy not to leave while the Q & A was ongoing. At least for those who left while the credit roll was shown, the cinema hall was still dark and their movements were not that conspicuous and seen by Matsushige himself. However, those who left in the lighted cinema and while Matsushige was talking, it was downright rude. I wonder how he might have felt when he saw those people moving out of the hall. And those empty seats in the hall - it did come across as pretty embarrassing and not the kind of thing we probably want to show a guest from afar. In this sense, while I did feel that it was a pity that he could not come to Singapore personally to promote this film, I also thought that it was good for him not to see such discourteous behaviour in person. Would less people leave the theatre like this if he was appearing in person? Maybe not in his face but I suppose there would still be those who would try to leave before the lights come on.

Another possible reason for the disdain shown towards the Q & A session: the 舞台挨拶 / stage greeting culture is not so prevalent and strong here that people don't necessarily see this as something important or of value. The thing is, if the organisers tried to add value to the screening by arranging something like this and it's not often that we get to "see and talk" to the cast of a Japanese movie, we should show our appreciation by being physically present. And if organisers see that such add-ons are not appreciated, who would want to go to the trouble of arranging these things in future?

Last but not least, I was actually hoping for something special to commemorate the event rather it being just a pre-release screening where we watched a movie and left the cinema. Considering that this was a premiere, I was hoping to see some decorations or feature wall for people to take pictures with or the movie's pamphlet being given out so that it can be posted on social media for PR purposes. While there was a stand-up panel of the movie, it didn't quite stand out since it was placed alongside that of other movies. And the pamphlet which I got was actually placed at ABC Cooking Studio rather than at the screening venue itself. I don't know if this was actually made available at the venue but I didn't see it at the collection desk. It might be a far stretch to expect more such as being able to buy the movie's pamphlet booklet or merchandise but perhaps some small memorabilia for the audience might be good.

As for my review of the movie, I will be posting that on another day. With regard to the post-screening Q & A, highlights from that section will appear in a separate post. Do keep a lookout for both posts coming your way soon! 

Friday, December 27, 2024

Preview of "Kodoku no Gurume 2024 Oomisoka Special Taiheiyo kara nihonkai Goro, kita e ano hitotachi no tokoromade." (Drama SP)


Title: Kodoku no Gurume 2024 Oomisoka Special Taiheiyo kara nihonkai Goro, kita e ano hitotachi no tokoromade. / 孤独のグルメ2024大晦日スペシャル 太平洋から日本海 五郎、北へ あの人たちの所まで。
Official website: here
Official Instagram: here
Official TikTok: here
Official X: here
O.A. Date: 31 December 2024 at 10pm
Broadcast by: TV Tokyo
Cast: Matsushige Yutaka
Guest lineup: Mitsuishi Ken, Hinagata Akiko, Tsukamoto Shinya, Tanaka Misako, Izumiya Shigeru & Suzuki Sawa 

Friday, December 30, 2022

Top 10 dramas in 2022 with the highest satisfaction scores (Oricon)

This ranking was derived from the following data collected by Oricon for dramas shown between 11 Jan and 15 Dec 2022:
* Survey of 690 Oricon monitors every week where they had to rate the dramas based on a 10-point scale for the aspects of story, leads, supporting cast, lines, visuals, music, artwork etc.
* Data based on viewership (broadcast ratings & number of views on online streaming portals), leads, supporting cast, content and Twitter posts were rated based on a 20-point scale

As such, the total score shown in brackets below are the figures based on a 100-point scale.

FujiTV is seeing a reversal of its fortune this year with its dramas dominating half of the ranking and the top 3 spots. TBS which saw 5 works in the ranking last year, only had 3 this year while NTV which had 2 spots last year, was left out of the ranking this time. This was especially significant considering that "Hakozume" was the No.1 in 2021's ranking. In addition, last year's ranking saw 6 dramas with a satisfaction score of above 90 but there were only the top 3 which achieved that this year. And there were 2 dramas which got full marks last year i.e. "Hakozume" and "Tengoku to Jigoku" from TBS but none this year.

Out of the top 10, the only ones which I did not watch were "Mystery to iu nakare", "Kodoku no gurume Season 10" (not because I wasn't interested but I didn't have the chance to watch anything after Season 1), Kurosagi, Nanba MG5 and Shoujiki Fudousan. I would probably want to watch "Mystery to iu nakare" if given the opportunity though. 

So how many of the top 10 have you watched and what do you think of the ranking results?


1) silent - FujiTV (97.7)

2) Elpis - Kibou, arui wa saiwai - FujiTV (93.6)

3) Mystery to iu nakare - FujiTV (91.2)

4) Kodoku no gurume Season 10 - TV Tokyo (89.8)

5) Kurosagi - TBS (89.4)

6) Ishiko to Haneo - Sonna koto de utaemasu? - TBS (89.1)

7) My Family - TBS (85.9)

8) PICU Shoni shuuchuu chiryoushitsu - FujiTV (84.8)

9) Nanba MG5 - FujiTV (84.5)

10) Shoujiki Fudousan - NHK (83.7)

Source: Oricon

Thursday, October 06, 2022

Preview of "Kodoku no gurume Season 10" - Autumn 2022


Title: Kodoku no gurume Season 10 孤独のグルメ Season 10 (The Solitary Gourmet Season 10)
Official website: here
Official Twitter: here
O.A. Start Date: 7 Oct 2022
Timeslot: Fridays at 12.42am
Broadcast by: TV Tokyo
Original manga by: Kusumi Masayuki & Taniguchi Jiro
Cast: Matsushige Yutaka

Monday, November 22, 2021

The 109th Drama Academy Awards (Summer 2021) - Best Drama


Overall Ranking Top 3
1) TOKYO MER ~ Hashiru kinkyuu kyuumeishitsu ~
2) Hakozume ~ Tatakau! Kouban Joshi ~
3) Kanojo wa kirei datta

Voters Ranking Top 5

1) Kanojo wa kirei datta
2) Promise Cinderella
3) Hakozume ~ Tatakau! Kouban Joshi ~
4) # Kazoku boshu shimasu
5) TOKYO MER ~ Hashiru kinkyuu kyuumeishitsu ~

TV Reporters Ranking Top 5
1) TOKYO MER ~ Hashiru kinkyuu kyuumeishitsu ~
2) Hakozume ~ Tatakau! Kouban Joshi ~
3) Kanojo wa kirei datta
4) Tada rikon shitenai dake
5) Kodoku no Gurume Season 9

Judges Ranking Top 5
1) Hakozume ~ Tatakau! Kouban Joshi ~
2) TOKYO MER ~ Hashiru kinkyuu kyuumeishitsu ~
3) Bushi Stand Aisaka-kun / Hyouchakusha / # Kazoku boshu shimasu

Source: The Television

Sunday, November 21, 2021

The 109th Drama Academy Awards (Summer 2021) - Best Leading Actor


Overall Ranking Top 3
1) Suzuki Ryohei - TOKYO MER ~ Hashiru kinkyuu kyuumeishitsu ~
2) Nakajima Kento - Kanojo wa kirei datta
3) Shigeoka Daiki - #Kazoku boshu shimasu

Voters Ranking Top 5
1) Nakajima Kento - Kanojo wa kirei datta
2) Suzuki Ryohei - TOKYO MER ~ Hashiru kinkyuu kyuumeishitsu ~
3) Shigeoka Daiki - #Kazoku boshu shimasu
4) Inoo Kei - Junkyouju Takatsuki Akira no suisatsu Season 1
5) Karasawa Toshiaki - Voice II 110 Kinkyuu Shireishitsu

TV Reporters Ranking Top 5
1) Suzuki Ryohei - TOKYO MER ~ Hashiru kinkyuu kyuumeishitsu ~
2) Nakajima Kento - Kanojo wa kirei datta
3) Shigeoka Daiki - #Kazoku boshu shimasu
4) Matsushige Yutaka - Kodoku no Gurume Season 9
5) Kitayama Hiromitsu - Tada rikon shitenai dake

Judges Ranking Top 5
1) Suzuki Ryohei - TOKYO MER ~ Hashiru kinkyuu kyuumeishitsu ~
2) Saito Takumi - Hyouchakusha
3) Shigeoka Daiki - #Kazoku boshu shimasu
4) Hamada Takahiro - Bushi stand Aisaka-kun! /
Inoo Kei - Junkyouju Takatsuki Akira no suisatsu Season 1

Wednesday, June 30, 2021

Preview of "Kodoku no Gurume Season 9" - Summer 2021


Title: Kodoku no Gurume Season 9 孤独のグルメ Season 9 (The Solitary Gourmet Season 9)
Official website: here
Official Facebook: here
Official Twitter: here
O.A. Start Date: 9 July 2021
Timeslot: Fridays 12.12am
Broadcast by: TV Tokyo
Original manga by: Kusumi Masayuki & Taniguchi Jirou
Cast: Matsushige Yutaka

Sunday, March 29, 2020

Winners of the 28th Hashida Award (2019)

Hashida Award Winners
- NHK morning drama "Natsuzora"

- NHK travel programme "Bura Tamori"

- FujiTV anime "Sazae-san"

- Yamamoto Mutsumi (Scriptwriter)

- Matsushige Yutaka ~ for his great acting in dramas such as "Kodoku no Gurume" and "Shiroi Kyoutou" which left a deep impression on and was well-received by viewers.

- Okada Junichi ~ for his energetic acting in taking on vastly different roles such as in "Shiroi Kyoutou" which strengthened his position as an actor

- Hashizume Isao ~ for his strong screen presence in various works like "Yasuragi no Toki ~ Michi"

Hashida Newcomer Awards
- Tanaka Kei ~ for his fresh acting in works such as "Anata no ban desu" and "Ossans Love" which created a huge social phenomenon and captivated many viewers

- Hirose Suzu ~ for her refreshing acting as the heroine of NHK morning drama "Natsuzora" which resonated with many viewers

Source: Natalie

Monday, October 07, 2019

Preview of "Kodoku no Gurume Season 8" - Autumn 2019

Title: Kodoku no Gurume Season 8 孤独のグルメシーズン8 (The Solitary Gourmet Season 8)
Official website: here
Official Facebook: here
Official Twitter: here
O.A. Start Date: 4 Oct 2019
Timeslot: Fridays 12.12am
Broadcast by: TV Tokyo
Original manga by: Kusumi Masayuki / Taniguchi Jirou
Opening theme song: "Goo, Goo, Goro!" by The Screen Tones
Ending theme song: "Gorou no 12PM" by Denmi
Cast: Matsushige Yutaka

Thursday, December 27, 2018

Preview of "Kodoku no Gurume New Year's Eve SP 2018" (Drama SP)

Title: Kodoku no Gurume New Year's Eve SP 2018 孤独のグルメ大晦日スペシャル
Official website: here
Official Facebook: here
Official Twitter: here
O.A. Date: 31 Dec 2018 at 10pm
Original manga by: Kusumi Masayuki & Taniguchi Jiro
Cast: Matsushige Yutaka, Tsuruta Mayu, Nakamura Yuri, Nakagawake, Hashimoto Ichiro, Takahashi Hitomi, Sakai Maki & Ito Shiro

Wednesday, August 08, 2018

The 97th Drama Academy Awards (Spring 2018) - Best Leading Actor

Overall Ranking Top 3
1) Tanaka Kei - Ossans Love
2) Ninomiya Kazunari - Black Pean
3) Dean Fujioka - Monte Cristo Haku - Karei naru Fukushuu -

Voters Ranking Top 5
1) Ninomiya Kazunari - Black Pean
2) Tanaka Kei - Ossans Love
3) Dean Fujioka - Monte Cristo Haku - Karei naru Fukushuu -
4) Iwata Takanori - Gakebuchi Hotel!
5) Sakaguchi Kentaro - Signal Chouki Mikaiketsu Jiken Sousahan

TV Reporters Ranking Top 5
1) Tanaka Kei - Ossans Love
2) Ninomiya Kazunari - Black Pean
3) Sakaguchi Kentaro - Signal Chouki Mikaiketsu Jiken Sousahan
4) Dean Fujioka - Monte Cristo Haku - Karei naru Fukushuu -
5) Ikematsu Sousuke - Miyamoto kara kimi e

Judges Ranking Top 5
1) Tanaka Kei - Ossans Love
2) Ninomiya Kazunari - Black Pean
3) Sakaguchi Kentaro - Signal Chouki Mikaiketsu Jiken Sousahan / Dean Fujioka - Monte Cristo Haku - Karei naru Fukushuu -
5) Matsushige Yutaka - Kodoku no Gurume Season 7

Source: The Televison

Friday, July 06, 2018

Winners of Nikkansports Dorama Grand Prix (Spring 2018)

There were 4,021 valid votes for this round of voting between 19th and 26th June where the top 5 for each category in each season would then be eligible as nominees for the annual awards.The numbers in brackets indicate the number of votes received for the drama and/or actor/actress:

Friday, May 11, 2018

Top 10 Spring 2018 dramas with the highest satisfaction rating for its first episode (Oricon)

Oricon conducted a survey on 690 of its members comprising of men and women from their teens to 50s living in 18 prefectures where they gave points according to the amount of satisfaction they felt about the first episodes of Spring 2018 dramas in 5 aspects i.e. the amount of minutes they had watched, the leading actor/actress, the supporting cast, content and how much the drama is being talked about. The full score is 100 points i.e. 20 points for each aspect.

Here are the top 10 dramas with the highest scores displayed in the brackets:

Saturday, April 14, 2018

Oricon's most anticipated Spring 2018 dramas ranking

Oricon conducted a survey on 1,364 people from their teens to 50s between 6 March and 12 March where they chose which Spring 2018 they are looking forward to watch. Dramas which were not announced by the TV stations before 6 March were not included in this survey and only dramas from the private networks and NHK were considered as candidates in this list.

There are two rankings here i.e. the primetime (7pm to 10pm) and midnight categories (shown after 11pm). Numbers in brackets indicate the overall weighted score in terms of anticipated ratings, leading actor/actress, supporting cast and content which account for 20 marks each. As such, the maximum score a drama can get is 80. The asterisk indicates dramas which are based on novels/manga.

Saturday, March 17, 2018

Preview of "Kodoku no Gurume Season 7" - Spring 2018

Title: Kodoku no Gurume Season 7 孤独のグルメ Season 7 (The Solitary Gourmet Season 7)
Official website: here
Official Facebook: here
Official Twitter: here
O.A. Start Date: 6 April 2018
Timeslot: Fridays 12.12am
Broadcast by: TV Tokyo
Cast: Matsushige Yutaka

Wednesday, February 28, 2018

Matsushige Yutaka to return in TV Tokyo Spring 2018 drama "Kodoku no Gurume Season 7"

Matsushige Yutaka will be back in the TV Tokyo Spring 2018 drama "Kodoku no Gurume Season 7" which will begin its run from 6 April in the Fridays 12.12am timeslot. The series which began 6 years ago in the Winter 2012 season, is a rare instance of TV Tokyo's late night dramas having such a long run and also a reflection of its popularity. This time, the series will return to its roots of showcasing delicious food from relatively unknown places which includes not only Japanese dishes but also other types of international cuisine. Matsushige revealed jokingly that he had suggested launching a "Kodoku no Gurume season final" to boost the ratings which had somehow reached its peak but this idea was quickly shot down by the staff. As for the appeal of the new series, he said people such as monks who are fasting or those on diets would probably find this useful but they might have to battle their numerous desires while doing so.

Source: Oricon